| Livros, catálogos e folders de exposições selecionados |
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2008 |
Cerith Wyn Evans. … visibleinvisible. Textos (Texts) Daniel Birnbaum, Octavio Zaya. MUSAC, Museo de Arte Contemporáneo de Castilla y León. Castilla y León: Hatje Cantz, 2008.
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GABRIEL, Alexandre; MORAES, Marcia. Galeria Fortes Vilaça. Rio de Janeiro: Editora Cobogó.
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HOFFMANN, Jens; The Wizard of Oz. San Francisco: CCA Wattis Institute for Contemporary Arts.
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MOURA, Rodrigo; PEDROSA, Adriano (org.). Através: Inhotim, Centro de Arte Contemporânea. Inhotim: Instituto Cultural Inhotim.
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MOURA, Rodrigo; PEDROSA, Adriano (org.). Através: Inhotim, Centro de Arte Contemporânea. Inhotim: Instituto Cultural Inhotim.
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Yokohama Triennale 2008 - Time Crevasse. Yokohama: International Triennale of Contemporary Art.
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2006 |
…in which something happens all over again for the very first time. Paris: Musée D’Art de la Ville de Paris/ARC
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CURIGER, Bice; BLOM, Ina; DIEDERICHSEN, Diedrich, FORSTER, Kurt W.; REES, Al and WEHNER, Rüdiger. The Expanded Eye: Sehen – entgrenzt und verflüssigt, Ostfildern: Kunsthaus Zürich: Hatje Cantz Verlag
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REBENTISCH, Juliane. Stage of Life – Rhetorics of Emotion, Köln: Lenbachhaus München: Verlag der Buchhandlung Walther König.
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RUF, Beatrix; WALLIS, Clarrie; VERWOERT, Jan; BOASE, Gair; MCCRACKEN, Siobhan; PETHICK, Emily; STOUT, Katherine and WOOD, Catherine. Tate Triennial 2006: New British Art, London: Tate Britain: Tate Publishing
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THOMAS, Rachael. All Hawaii Entrées/ Lunar Reggae Irish Museum of Modern Art (IMMA), Dublin
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2005 |
The Curves of the Needle, Wien : BAWAG Foundation
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KELLER, Anne, RUF, Beatrix and KALMAR, Stefan. Art at 30 St Mary Axe, Zurich: Swiss Reinsurance Group
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2004 |
BIESENBACH; Klaus, CRUSEMAN, Frank; LANCASTER, Roger N., POSCHARDT, Ulf; HÖLLER, Christian; VERWOERT,Jan; KRAUSS, Hartmut; KERMANI, Navid; MESCHNIG, Alexander; HESSE, Genevieve; MORRIS, Desmond; OSTNER, Ilona; SONTAG, Susan; MIETH, Dietmar; ALTMAN, Dennis; SINGER, Linda; BALES, Kevin; GREFE, Christiane; LEIDINGER, Christiane; CLEVE, Gabriele; GRAW, Isabelle and MAAK, Niklas. Diezehngebote, Dresden: Deutsches Hygiene Museum and Ostfildern-Ruit: Hatje Cantz
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BONAMI, Francesco and VECCHIO, Gigiotto Del. Sensi Contemporanei in Campana, Venice: La Biennale di Venezia
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Cerith Wyn Evans. Cerith Wyn Evans. Texto (Text) Andreas Spiegl, Jan Verwoert, Juliane Rebentisch, Manfred Hermes. New York: Lukas & Sternberg, 2004.
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HOLERT, Tom; MUNDER, Heike; PENMAN, Ian and THAEMLITZ, Terre. The Future Has A Silver Lining, Zurich: Migros Museum für Gegenwartskunst Zurich and JRP/Ringier
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MAVRIDORAKIS, Valérie; ZABUNYAN, Elvan and PERREAU, David. Doubtiful dans les plis du reel, Rennes: Art & Essai, University of Rennes
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PETRY, Michael. Hidden Histories: Twentieth Century Male Same Sex Lovers In The Visual Arts, London: Artmedia Press
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SHANI, Annushka. Eclipse: Towards The Edge of the Visible, London: Jay Jopling/ White Cube.
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TRUMMER, Thomas. Ulysses, Vienna: Galerie Belvedere
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WINKEL, Camiel Van and KÜNG, Moritz. Schöner Wohnen (Living Nicely), Waregem: Platform voor actuele kunst
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2003 |
Heiliger Sebastian: A Splendid Readiness for Death, Vienna: Kunsthalle Wien and Bielefeld: Kerber Verlag
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A. KAYE, Richard; SANTOLI, Carlo, GREER, Germaine and MATT, Gerald
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BLESS LUXEMBURG, Rut, Ffolly, Swansea: Ffotogallery & Glynn Vivian Art Gallery
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FLEMING, Patricia; HEYNEN, Julia; COHEN, Kris; COOK, Sarah; LÉITH, Caoimhín Mac Giolla; VERWOERT, Jan and BRADLEY, Will . Further: Artists from Wales at the 50th International Art Exhibition, Venice, Cardiff: Wales Art International
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GRAW, Isabelle and SCHÖLLHER, Georg. Adorno: The Possibility of the Impossible Vol II, Frankfurt: Frankfurter Kunstverein and New York: Lukas & Sternberg
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HIRSCH, Michael, MÜLLER, Vanessa Joan and SCHAUFHAUSEN, Nicolaus (Eds.). Adorno: The Possibility of the Impossible Vol I, Frankfurt: Frankfurter Kunstverein and New York: Lukas & Sternberg
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MANACORDA, Francesco. The Straight or Crooked Way, London: Royal College of Art
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WILLIAMS, Gilda; CHRISTOV – BAKARGIEV; Carolyn, ESCHE, Charles, GALLO, Rubén; HASEGAWA, Yuko; KITTLEMANN, Udo; PEDROSA, Adriano; RUF, Beatrix; SPECTOR, Nancy; WALKER, Hamza and ZABEL, Igor. Cream 3, London: Phaidon
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2002 |
ANDERSON, Emma and ROBINSON, Alistair. Shine, Salford: Lowry Press
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BRADLEY, Will; BRETTON-MEYER, Henriette and WEBSTER, Toby. My Head is on Fire but my Heart is Full of Love, Copenhagen: Charlottenborg Museum
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ENWEZOR, Okwui. Documenta 11_Platform 5: Exhibition, Kassel: Museum Friedericianum Veranstaltungs-GmbH and Ostfildern-Ruit: Hatje Cantz, BEZZAN, Bezzan. ForwArt, Brussels: Palais des Beaux-Arts
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GILLICK, Liam. White Cube. 44 Duke Street, St James’ London, Gottingen: Steidl
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IIDA, Takayo. Screen Memories, Ibaraki: Contemporary Art Center, Art Tower Mito
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2001 |
Fig.1: the commemorative book. London: Spafax Publishing and Tate Publishing
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FARQUHARSON, Alex. ‘Wales’: Unauthorized versions, Zagreb: Croatian Association of Artists
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LEE, Jane; BEECH, David; LEWIS, Peter and BURGIN, Victor. Gymnasion, Bregenz: Bregenzer Kunstverein
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2000 |
GROSENICK, Uta. ART NOW, Cologne: Taschen
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KOVATS, Tania. Lost, Ikon Gallery, Birmingham
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MACEL, Christine; BEAUSSE, Pascal, HALLIN, Marie-Frédérique and PIRON, François. Sensitive, Saint-Cloud: Printemps de Cahors
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RUGOFF, Ralph; CORRIN, Lisa, MORLEY, Simon and DION, Mark. The Greenhouse Effect, London: Serpentine Gallery
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1999 |
BARNBROOK, Jonathan. Young British Art: The Saatchi Decade, London: Booth-Clibborn Editions
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BONAMI, Francesco and OBRIST, Hans-Ulrich. Dreams, Turin: Fondazione Sandretto Re Rebaudengo
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Die EVN Sammlung im Belvedere Ankäufe 1997-99, Vienna: EVN AG
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WYN EVANS, Cerith and FARQUHARSON, Alex. Cerith Wyn Evans, Superstructure, pp.38-39
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1998 |
Close Echos: Public Body and Artificial Space, Prague: City Art Gallery and Krems: Kunsthalle Krems
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ADAMS, Brooks; JARDINE, Lisa; MALONEY, Martin; ROSENTHAL, Norman and SHONE, Richard. Sensation. Young British Artists From The Saatchi Collection, Berlin: Hamburger Bahnhof
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AYDEMIR, Murat; COELEWIJ, Leontine, FUCHS, Rudi, NIEUWENHUYZEN, Martijn van and VÍSSER, Hripsimé. From the Corner of the Eye, Amsterdam: Stedelijk Museum
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1997 |
ADAMS, Brooks; JARDINE, Lisa; MALONEY, Martin; ROSENTHAL, Norman and SHONE, Richard. Sensation. Young British Artists From The Saatchi Collection, London: Royal Academy of Arts
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ARCHER, Michael and HILTY, Greg. Material Culture, London: Hayward Gallery
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JACQUES, Alison. False Impressions, Rome: The British School at Rome
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SHAND-KYDD, Johnnie. Spit Fire: Photographs from the Artworld. London 1996/97, London: Thames & Hudson, 1997
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WYN EVANS, Cerith. Cerith Wyn Evans Meets Ellen Cantor. The art of penetration, Dazed & Confused, June, pp.75-79
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1996 |
British Artists in Rome, Rome: Studio Case Grande
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Life/Live, Paris: Musée d’Art Moderne de la Ville de Paris and Lisbon: Centro de Exposições do Centro Cultural de Belém
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1995 |
Faction Video, Copenhagen: Royal Danish Academy of Fine Arts
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General Release: Young British Artists, Venice: Scuola di San Pasquale
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1994 |
Potato, London: IAS, 1994
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1993 |
5th Oriel Mostyn Open Exhibition, Llandudno: Oriel Mostyn
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1992 |
240 Minutes, Cologne: Galerie Esther Schipper
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1990 |
Sense and Influence, The Hague: Kijkhuis
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ILES, Chrissie; HALL, David, FISHER, Jean and ROBERTS, John. Sign of the Times, Oxford: Modern Art Oxford
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O’PRAY, Michael. Andy Warhol: Film Factory, London: British Film Institute, 1990
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1989 |
A Certain Sensibility, London: ICA Cinematheque
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Sign of the Times, Oxford: Modern Art Oxford
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Solo Exhibition 79-89, London: ICA Cinematheque
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GIDAL, Peter. Materialist Film, London: Routledge
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1987 |
O’PRAY, Michael; LACEY, Catherine and KROKORIAN, Tamara. The Elusive Sign. British Avant-Garde Film & Video 1977-1987, London: Arts Council of Great Britain and The British Council
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1985 |
Syncronisation of the Senses, London: ICA Cinematheque
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O’PRAY, Michael. British Film & Video 1980-1985. The New Pluralism, London: Tate Publishing
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| Artigos e Resenhas selecionados |
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2010 |
ARCHER, Michael. Monn Turned a fire red. Parkett, n.87, 2010
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2006 |
ARNING, Bill. Transformative Vision , Parkett 76, p. 199-206
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BAILLY, Bérénice. Le dandy Cerith Wyn Evans est un rtiste Précieux, Le Monde, 1 September 2006
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BISHOP, Claire. Cerith Wyn Evans, Artforum, DATE UNKNOWN
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BUCK, Louisa. Cerith Wyn Evans lights up night sky, The Art Newspaper, No.168, April, p.41
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COOMER, Martin, Dark Matter, Time Out, 26 July – 2 August, p.34
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FISUN, Gunter. Cerith Wyn Evans : the curves of the needle, Metro, 25 April, p.32
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GALVEZ, Paul. Cerith Wyn Evans, Artforum, May, p. 148
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GOURMET, Yoann, Cerith Wyn Evans, Les Inrockuptibles, 20-26 June, p.77
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HERBERT, Martin, The Thrill and the Hurting,The horny and homicidal world of Cerith Wyn Evans, ArtReview, September, pp.70-73
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HUBBARD, Sue. Monomania, The Independent, 7 August, p.12
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LEQUEUX, Emmanuelle. Cerith WYN Ewans,Gentleman depuis des lustres, Beux Arts Magazine, September, pp.44-45.
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MANACORDA, Francesco. Cerith Wyn Evans Optical Machines, Flash Art, October, pp.100-101
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OBRIST, Hans Ulrich. The Vincent The Curves of the Needle, Stedelijk Museum, 04/05, pp42-47 and pp.90-92
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TAYLOR, Rebecca. Serpentine interview marathon, Time Out, 2-9 August, p.12-13
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WULLLSCHLAGER, Jakie. Mortal concerns against a dark background, Financial Times, 14 July, p.11
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2005 |
BUCK, Louisa. Cerith Wyn Evans revisits his Epiphany, The Art Newspaper, February, p.33
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COMER, Stuart. London, ArtForum, December, pp.227-229
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TEMIN, Christine. Shedding light on the messages of Welsh artist, The Boston Globe, 8 October
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WESTLEY, Hester. Is the Turner ageing too gracefully?, The Times T2, 1 June, p.15
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WILSON LLOYD, Ann. Cerith Wyn Evans. Museum of Fine Arts, Boston, ArtReview, February, p.97
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2004 |
Centre Pint, Art Monthly, March
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Cerith’s contemporary art is in the spotlight, Swansea Herald of Wales, 15 March, p.17
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High concept, Circa, Spring 2004, p.7
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London, ArtReview, Vol. LIV, March, p.32
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Northern lights, ArtReview, Vol. LV, February, p.24
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ARCHER, Michael. Cerith Wyn Evans: White Cube, Art Forum, Vol. XLII, No.6, February, p.161
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BURNETT, Craig. Camden Arts Centre London, Frieze, Issue 82, April 2004, p.87
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COOMER, Martin. Born Again, Time Out, 25 February – 3 March, p.45
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COXHEAD, Gabriel. As far as the eye can see, The Times, 21 July 2004, p.13
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DODERO, Camille. Cerith Wyn Evans comes to town, The Boston Phoenix, 8 October, p.6
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GÜNER, Fisun. Eclipse: Towards The Edge Of The Real, Metro, 19 July, p.23
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GALVEZ, Paul. Cerith Wyn Evans. Museum of Fine Arts, Boston, Art Forum, December 2004, p.199
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HERBERT, Martin. Eclipse. White Cube, Time Out, 11-18 August 2004, p.57
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HOPKINS, Randi. Language and lighting, The Boston Phoenix, 1 October, p.3
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HUNT, Ian. Cerith Wyn Evans: Camden Arts Centre, Art Monthly, March, p.32
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IRVING, Mark. I’m a radical feminist queer community dandy, Financial Times, 13 January, p.15
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LACK, Jessica. Group Show. London, The Guardian Guide, 17 July, p.36
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PETRONIO, Ezra. Stars & Styles. Portraits of London, Self Service, no.20, Spring/Summer 2004, p.133
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SEARLE, Adrian. Northern lights, The Guardian, 5 February, pp.10-11
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SILVER, Joanne. Light shows leave you wanting Morse, Boston Herald, 15 October
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SMITH, Roberta. Wherever They Go, There They Art: Itinerant Artists Sieze on Locale, The New York Times, 31 December
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WILSON, Michael. Cerith Wyn Evans. Museum of Fine Arts, Boston, Art Forum, September, p.72
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2003 |
Flashes of inspiration, ArtReview, 2003
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BUCK, Louisa. The medium is the message, The Art Newspaper, Vol.XIII, no.141, November, p.31
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CLARCK, Ben and EICHLER, Dominic. Cerith Wyn Evans, Neue Review, May, p.6
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DARWENT, Charles. Go on then, delight me…, The Independent on Sunday, 9 November, p.13
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DARWENT, Charles. Loch Lomond, the Grand Canal: spot the difference, The Independent on Sunday, 15 June 2003, p.10
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Gayford, Martin. ‘Love in a hot climate’, The Sunday Telegraph, 15 June 2003, p.7
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HIGGIE, Jennifer. 50th Venice Biennale, Frieze, issue 77, September, p.111
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O’REILLY, Sally. Cerith Wyn Evans, Eberhard Havekost: White Cube, Time Out, 19-26 November, p.61
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2002 |
Could this be why they call it BAM?, Berkeleyan, 13 February 2002, p.1
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Innocence and experience. Frieze talks to Cerith Wyn Evans, Frieze, Issue 71, November – December, pp.76-81
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GRIEVE, Lara. Cerith Wyn Evans, www.bbc.co.uk/arts/news, 22 February
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HOLERT, Tom. Battaille That Binds, Art Forum, September, pp.164-165
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HOLMES, Pernilla. Sensation. Five years after the fallout, ArtReview, April, pp.32-36
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PETRAS, Tina. The after effect of the super shows, Art Index, Fall, pp.68-69
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TREMBLEY, Nicolas. Zone d’influences, Numero, no.50, February, p.97
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2001 |
If you could have any five artworks for your home, what would you choose?, Frieze, 2001, p.78
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GILLICK, Liam; SPIEGL, Andreas and COUSINS, Mark. Cerith Wyn Evans, Afterall, Issue 4, 2001, pp.82-101
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HUCK, Brigitte. Cerith Wyn Evans: Galerie Georg Kargl, Springerin, VII, 2, June – September, pp.78-79
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2000 |
AIDAN, Rose. Homage to Blake in the sparkle of a mirrorball, The Independent on Sunday, 19 November, p.4
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BUSSEL, David. Super balls, shiny art, i-D, December, p.12
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JONES, Jonathan. Cerith Wyn Evans: Tate Britain, The Guardian, 21 November, p.13
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JUDAH, Hettie. Anarchy in a necktie, The Times, 30 October
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KENT, Sarah. Cerith Wyn Evans, Time Out, 22-29 November, p.51
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1999 |
Meltdown at Modern Art Inc., The Art Newspaper, no.90, March, p.68
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GISBOURNE, Mark. Cerith Wyn Evans, Contemporary, Issue 23, June – July, p.63
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HERBERT, Martin. Cerith Wyn Evans, Time Out, 14-21 April 1999
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HIGGIE, Jennifer. Cerith Wyn Evans, Frieze, Issue 47, Summer 1999, p.95
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HILTY, Greg. We go Round and Round in the Night and Are Consumed by Fire, Parkett, no.56, pp.6-9
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LISTER, David. Planet Art, Modern Painters, No.2, Summer, Vol.12, pp.78-79
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SHARKEY, Alex. artful rockers, ES Magazine, 6 August, pp.12-14
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WILLIAMS, Gilda. Cerith Wyn Evans, Art/Text, no.66, pp.80-81
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1998 |
GREENBERG, Sarah. All the rage, Tate Magazine, Spring, pp.54, 57
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HERBERT, Martin. How Will We Behave?, Time Out Magazine, 7-14 October
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1997 |
Cerith Wyn Evans, The Village Voice, April, p.2
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Cerith’s art at academy, Star, September
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BICKERS, Patricia. Sense & Sensation, Art Monthly, November, pp.1-6
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CARY PARKES, James. Kydding About, Gay Times, September
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CARY PARKES, James. Signs of the times, Gay Times, May 1997, p.18
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FINCH, Michael. Material Culture, Art/Text, no.58, January
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GREENSBERG, Sarah. Material whirl, The Art Newspaper, No.70, May, p.25
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HARE, Bill. The Pain and Pleasure Principle, Contemporary, Issue 18, pp.50-55
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NAPACK, Jonathan. Light my fire, The Art Newspaper, No.69, April
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SALTZ, Jerry. Cerith Wyn Evans: Deitch Projects, Time Out New York, 3-10 April, p.4
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SEARLE, Adrian. And this is me feeling sick…, The Guardian, 11 March, p.10
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SEARLE, Adrian. Isn’t it offal?, The Guardian, 8 April, pp.10-11
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SLYCE, John. Material Culture: The Object in British Art at Hayward Gallery, Flash Art, Summer 1997, p.75
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WALLACE, Marina. False Impressions. The British School at Rome, Art Monthly, April, pp.24-25
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WESTON, Alannah. Party Party, The Telegraph Magazine, 13 September, pp.43-46
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WILSON, Andrew. Band Art, Art Monthly, October 1997, pp.13-17
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WILSON, Andrew. Object Lesson, Art Monthly, May, pp.1-4
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1996 |
KENT, Sarah. Cerith Wyn Evans: White Cube, Time Out, 15-22 May
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LOVATT, Estelle. Cerith Wyn Evans, Southern Cross, 8 May 1996, p.13
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MIROLLA, Miriam. British Waves, Vogue Italia, August, pp.114-117, 175
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MUIR, Gregor. House of Fun, Dazed & Confused, Issue 21, June, p.101
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SLADEN, Mark. Cerith Wyn Evans, Frieze, September, p.75
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1994 |
Artist’s Page, Vor der Imformation Magazine, no.1/2
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