Currículo
| Exposições Individuais | |
| 2011 |
Assemblage, Galerie Neu, Berlin, Germany |
|
Incarnation, Galeria Fortes Vilaça, São Paulo, Brasil |
|
|
Permit Yourself..., (commission), Locus +, Newcastle, England |
|
|
Safety Curtain Commission, Vienna State Opera, Vienna,
Austria |
|
|
Kunsthall Bergen, Bergen,
Norway |
|
|
Taka Ishii Gallery, Tokyo, Japan |
|
| 2010 | Everyone's Gone to the Movies, Now We're Alone At Last, White Cube, London, UK |
| Portikus, Frankfurt, Germany | |
|
To know Him is To Love Him, Casa Luis Barragán, México City, Mexico |
|
| 2009 |
A Billboard
for Edinburgh, Ingleby Gallery, Edinburgh,
Scotland |
|
A=P=P=A=R=I=T=I=O=N, Tramway, Glasgow, Scotland |
|
|
Salon di
Mobile, Cosmit, Palazzo Reale, Milan,
Italy |
|
|
De Singel Internationale Kunstkampus, Antwerp |
|
| Galerie Daniel Buchholz, Cologne, Germany | |
|
Galleria Lorcan O’Neill, Rome, Italy |
|
|
Inverleith House, Edinburgh, UK |
|
| 2008 | Signatures of the Invisible, White Cube, London, UK |
| Visibleinvisible… MUSAC - Museo de Arte Contemporáneo de Castilla y León, Leon, Spain | |
| Galerie Neu, Berlin, Germany | |
| Galpão Fortes Vilaça, São Paulo, Brasil | |
| 2007 | Bubble Peddler, Kunsthaus Graz, Graz, Austria |
| Futa Omote (double face), Taka Ishii Gallery, Tokyo, Japan | |
|
Remote Viewing, CCA - Center for
Contemporary Art, Kitakyushu, Tokyo,
Japan |
|
| Signatures of the Invisible, White Cube, London, UK | |
| Daniel Buchholz Galerie, Cologne, Germany | |
| 2006 | …In Which Something Happens All Over Again for the Very First Time, Musée d’art moderne de la ville de Paris, Paris, France |
| Take my eyes and through them see you, ICA - Institute of Contemporary Arts, London, UK | |
| The Curves of the Needle, White Cube, London, UK | |
| Kunstbau Lenbachhaus, Munich, Germany | |
| 2005 | 299792458m/s, BAWAG Foundation, Vienna, Austria |
| Eaux d’artifice (after K.A.), The Conservatory, Barbican Centre, London, UK | |
| Once a Noun, Now a Verb…, Galerie Neu, Berlin, Germany | |
| The Sky is Thin as Paper Here, Kunsthaus Graz - BIX Media Façade, Graz, Austria | |
| BAWAG Foundation, Vienna, Austria | |
| 2004 | Rabbit’s Moon, Camden Arts Centre, London, UK |
| Sunrise and Other Ruins, Galerie Daniel Buchholz, Cologne, Germany | |
|
The Sky is Thin as Paper Here..., Galerie
Daniel Buchholz, Cologne, Germany |
|
|
Thoughts
unsaid, now forgotten..., MIT List Visual Arts Centre, Cambridge, United States |
|
| Meanwhile Across Town, Centre Point, London, UK | |
|
Centre Georges Pompidou, Paris,
France |
|
| Kunstverein Frankfurt, Frankfurt, Germany | |
|
Museum of Fine Arts, Boston, USA |
|
| 2003 | Look at that picture…How does it appear to you now? Does it seem to be Persisting?, White Cube, London, UK |
|
Take your desires for reality, Cerith
Wyn Evans/ MATRIX 201c, UC Berkeley Art , San Francisco, United States |
|
| Galerie Neu, Berlin, Germany | |
|
Museum and Pacific Film Archive, San Francisco, United
States |
|
| 2002 | Screening, Galerie Daniel Buchholz, Cologne, Germany |
| 2001 | Galerie Daniel Buchholz, Cologne, Germany |
| Georg Kargl Gallery, Vienna, Austria | |
|
Kunsthaus Glarus, Switzerland |
|
| 2000 | Cleave 00. Art Now, Tate Britain, London, UK |
| Has the film already started?, Galerie Neu, Berlin, Germany | |
|
fig-1, Soho, London, UK |
|
| 1999 | Asprey Jacques Contemporary Art Exhibitions, London, UK |
| 1998 |
Centre for
Contemporary Art, Kitakyushu, Japan |
| Centre for Contemporary Art, Kitakyushu, Japan | |
|
The British School at Rome in collaboration with Asprey Jacques Contemporary Art Exhibitions, Rome, Italy |
|
| 1997 |
Deitch Projects, New York, USA |
| 1996 | Inverse Reverse Perverse, White Cube, London, UK |
|
Studio Casa Grande, Rome, Italy |
|
| 1993 | Les Visiteurs du Soir, London Film Festival, London, UK |
| 1992 |
Crossoverworkshop, HFAK, Vienna, Austria |
| 1990 | Sense and Influence, Kijkhuis, The Hague, Netherlands |
| 1989 |
ICA Cinemateque, London, UK |
| 1983 |
London Film Makers Co-op, London, UK |
| 1982 |
Film excerpts shown
on Riverside, BBC2, UK |
| 1981 |
A Certain Sensibility, ICA Cinematheque, London, UK |
|
London film Makers Co-op, London, UK |
|
| 1980 |
...And Then I ‘Woke Up, London Film Makers Co-op, London, UK |
| Exposições Coletivas | |
| 2011 |
At
Least You Haven't Changed, Hotel, London, UK |
|
In
Other Words, Lewis Glucksman Gallery, Cork, Ireland |
|
|
Incidents
of Travel, Museo Tamayo, Mexico |
|
|
L'insoutenable Légèreté De L'être, Yvon Lambert, Paris & New York,
France |
|
|
Mystics
or Rationalists, Ingleby Gallery, Edinburgh, Scotland |
|
|
Nobody, not even the rain, has such small hands, Raebervonstenglin, Zurich,
Switzerland |
|
|
Outrageous
Fortune, Focal Point Gallery, Southend-on-Sea; Queens Hall Art Centre, Hexham;
Jersey Arts Centre, St. Helier, UK |
|
|
Paysage
Fautif (Wayward Landscape), Museum Show Part 1,
Arnolfini, Bristol |
|
|
Rewriting
Worlds, Moscow Biennial, Moscow, Russie |
|
|
Secret
Societies, Kunsthalle Schirn, Frankfurt, Germany |
|
|
Snap,
Aldeburgh Festival, Suffolk, England |
|
|
The
State: Works from the Farook Collection,
Traffic, Dubai, United Arab Emirates |
|
|
True
Faith, Anderson's Contemporary, Denmark |
|
|
Ventajas
de Viajar en Tren, Parra & Romero,
Madrid, Spain |
|
| WIld Sky, Edith Russ Haus, Oldenburg, Germany | |
| 2010 | "...", Galerie Neu, Berlin, Germany |
|
Arts
and Cities, Aichi Triennale, Nagoya, Japan |
|
| Contemplating the Void, Guggenheim Museum, New York, USA | |
|
Contemporary
Eye: Crossovers, Pallant House Gallery, Chicester, UK |
|
| Crash, Gagosian Gallery, London, UK | |
| Double Bind, Villa Arson, Nice, France | |
|
Emporte-moi/
Sweep me off my feet , Musée d'Art Contemporain
du Val de Marne, Vitry-Sur-Seine, France |
|
|
Kupferstichkabinett:
Between Thought and Action, White Cube, London, UK |
|
|
Marcel
Broodthaers and Today, Düsseldorf Kunstverein,
Düsseldorf, Germany |
|
|
Novel
Two , International Project Space, Birmingham, UK |
|
|
People
Meet in Architecture, Biennale Architettura di
Venezia, Venice, Italy |
|
|
Plus
Ultra, Macro, Rome, Italy |
|
|
Radical
Conceptual , MMK Frankfurt, Frankfurt, Germany |
|
|
The
Milkplus Bar, Josh Lilley Gallery, London, UK |
|
| The Future Demands Your Participation, Minsheng Art Centre, Shanghai, China | |
|
Galerie Daniel Buchholz , Cologne |
|
|
Laboral Centro de Arte y Creación, Gijon, Spain |
|
| 2009 |
Black
Hole, CCA Andratx, Mallorca, Spain |
|
Emporte-moi/
Sweep me off my feet , Musée National des
Beaux-Arts de Québec, Quebec, Canada |
|
| FAX, Drawing Room, New York, United States | |
|
Faye
Greener, IPS
(International Project Space), School of Art Bournville, Birmingham Institute
of Art and Design, Birmingham, UK |
|
|
In
the Between , Istanbul Biennial, Istanbul |
|
|
Lets
Take Back Our Space, Focal Point Gallery, Southend
Library, Essex |
|
| No Night, No Day, Cerith Wyn Evans & Florian Hecker, Thyssen- Bornemisza Art Contemporary, Teatro Goldoni, Venice, Italy | |
|
Nothing
to say and I am saying it,
Kunstverein Freiburg, Freiburg, Germany |
|
| Nous Tournons Dans La Nuit ,Musée Départemental d'Art Contemporain, Rochechouart, France | |
| Panorama da Arte Brasileira, MAM - Museu de Arte Moderna de São Paulo, Brasil | |
|
Past
Present, Nunnington Hall, North Yorkshire, UK |
|
|
Romancing
the Frame , Kunsthalle Zurich, Zurich, Switzerland |
|
|
Session_7
Words, Am Nuden Da, London, UK |
|
| Six Tuesdays After Film as a Critical Practice,Lux 28, London, UK | |
| STILL/MOVING/STILL Cultuurcentrum Knokke-Heist, Belgium | |
|
The
Dark Monarch:Magic & Modernity ,British Art, Tate St.
Ives, UK |
|
|
The
Kaleidoscopic Eye. Thyssen-Bornemisza Art Contemporary Collection,
Mori Art Museum, Tokyo, Japan |
|
|
The
Splendour Of Fear, Michael Benevento, Los
Angeles, United States |
|
|
Two
Horizons Works from the Collections of Charles Asprey and Alexander Schröder,
Scottish National Gallery, Endiburg,Scotland |
|
|
Universal
Code, Power Plant, Toronto, Canada |
|
| Where Do We Go From Here? , Bass Museum of Art, Florida, United States | |
| Audio, Video, Disco, Kunsthalle Zurich, Zurich, Germany | |
| 2008 | Always Begins by Degrees, The Common Guild, Glasgow, Scotland |
|
Conversations, Kettles Yard, Cambridge, UK |
|
| Endless Sphere, Center for Contemporary Art, Ukraine | |
|
Everstill,
Casa-Museo Federico Garcia Lorca, Granada, Spain |
|
|
Fade
In / Fade Out, Bloomberg Space, London, UK |
|
|
I
Am Making Art. 4 Studies on the Artist's Body, Centro Huarte de Arte Contemporaneo,
Huarte, Navarra, Spain |
|
|
In
The Beginning,
University Art Gallery, UC San Diego, California, United States |
|
| Leigh Bowery, Kunstverein, Hanover, Germany | |
| Martian Museum of Terrestrial Art, Barbican, London, UK | |
| Oh Girl it’s a Boy, Kunstverein Munich, Germany | |
| Peter Saville Accessories to an Artwork, Paul Stolper, London, UK | |
|
Punk.
No One is Innocent, Kunsthalle Wien, Vienna,
Austria |
|
| Sound of Music, Centre for Contemporary Culture, Maastricht , Netherlands | |
| The Wizard Of Oz, CCA Wattis Institute for Contemporary Art, San Francisco, USA | |
|
This
Is Not A Void, Galerie Luisa Strina, São Paulo, Brasil |
|
| Voice and Void, The Aldrich Contemporary Art Museum, Ridgefield, USA | |
| Yokohama Triennial, Japan | |
| You Dig The Tunnel – I’ll Hide The Soil, White Cube Hoxton & Shoreditch Town Hall, London, UK | |
|
[SCENE
MISSING], Galerie Thomas Schulte, Berlin, Germany |
|
|
Thyssen-Bornemisza Art Contemporary, Collection as Aleph, Kunsthaus Graz, Austria |
|
|
Martian Museum of Terrestrial Art, Barbican Centre, London, UK |
|
| 2007 | Before the advert of radio astronomy, Kunsthaus Bregenz, Bregenz, Austria |
| Cosmology, James Cohan, New York, USA | |
| Pale Carnage, Arnolfini, Bristol; Dundee Contemporary Arts, Dundee, Scotland | |
| Panic Attack! Art in the Punk Years, Barbican, London, UK | |
| Romantic Conceptualism, Kunsthalle Nürnberg, Nuremberg, Germany; BAWAG Foundation, Vienna, Austria | |
| Sculpture in the Close, Jesus College, Cambridge, UK | |
| Stravinsky Project Part 3, Michael Clark, Barbican, London, UK | |
| The Projection Project: Budapest episode, Mucsarnok Kunsthalle, Budapest | |
| The Secret Public: The Last Days of the British Underground 1978-1988, ICA Institute of Contemporary Art, London, UK | |
|
This is the love of these, Magazin 4, Bregenz, Austria |
|
|
Voice
and Void, The Aldrich Contemporary Art Museum, Ridgefield, United States |
|
|
Ian Hamilton Finlay & Cerith Wyn Evans, Ingleby Gallery, Edinburgh, Scotland |
|
| 2006 | 'Nach Rokytnik', Museum Moderner Kunst Stiftung Ludwig Wien, Vienna, Austria |
| All Hawaii entrées / Lunar Reggae, IMMA Irish Museum of Modern Art, Dublin, Ireland | |
| How To Improve The World, Hayward Gallery, London, UK | |
| Tate Triennial 2006: New British Art, Tate Britain, London, UK | |
| Thank you for the music (London Beat), Sprüth Magers Lee, London, UK | |
| The Expanded Eye, Kunsthaus Zürich, Zurich, Switzerland | |
|
Stage of Life-Rhetorics of Emotion, Lenbachhaus, Munich |
|
| 2005 | 9th International Istanbul Biennial, Istanbul Foundation for Culture and Arts, Istanbul, Turkey |
| Bidibidobidiboo: La Collezione Sandretto Re Rebaudengo, Palazzo Re Rebaudengo, Guarene d’Alba and Fondazione Sandretto Re Rebaudengo, Turin, Italy | |
| Can Buildings Curate, AA School of Architecture, London, UK | |
|
Ellen Cantor, Cerith Wyn Evans, Prince Charles Cinema, London, UK |
|
|
Flourish,
Moravian Gallery, Brno, Czech Republic |
|
| I Really Should…, Lisson Gallery, London, UK | |
| I’d Rather Jack, National Galleries of Scotland, Edinburgh, Scotland | |
| Ice Storm, Kunstverein Münich, Munich, Germany | |
|
Light
Art from Artificial Light, ZKM, Karlsruhe, Germany |
|
| Light Lab, MUSEION, Bolzano, Italy | |
| London in Six Easy Steps, ICA, London, UK | |
| Pasolini E Roma, Museo di Roma, Rome, Italy | |
| Summer Exhibition 2005, Royal Academy, London, UK | |
| Thank you for the music, Sprüth Magers Project, Munich, Germany | |
| The Vanity of Allegory, Deutsche Guggenheim, Berlin, Germany | |
| E-Flux Video Rental Store, KW Institute for Contemporary Art, Berlin | |
|
Rebaudengo, Turin. Cavallerizza Chiablese e Salone delle Guardie, Turin,
Italy |
|
|
Seoul Film Festival, Seoul, South Korea |
|
| 2004 | Bazar de Verão, Galeria Fortes Vilaça, São Paulo, Brasil |
| Black Friday: Exercises in Hermetics, Revolver, Frankfurt, Germany | |
|
Curating
The Library, DE Singel, Antwerp |
|
| Doubtiful Dans Les Plis Du Reel, Galerie Art & Essai, Rennes, France | |
| Drunkenmasters, Galeria Fortes Vilaça, São Paulo, Brasil | |
| Eclipse: Towards the Edge of the Visible, White Cube, London, UK | |
| Einleuchten, Museum der Moderne, Salzburg, Germany | |
| Hidden Histories, New Art Gallery Walsall, Walsall, UK | |
| Making Visible, Galleri Faurschou, Copenhagen, Germany | |
| Marc Camille Chaimowicz, Angel Row Gallery, Nottingham, UK | |
| Modus Operandi, Thyssen-Bornemisza Art Contemporary, Vienna, Austria | |
| Quodlibet, Galerie Daniel Buchholz, Cologne, Germany | |
| Sans Soleil, Galerie Neu, Berlin, Germnay | |
|
Schöner
Wohnen (Living Nicely), Platform voor Actuele
Kunst, Waregem, Belgium |
|
|
The
Ten Commandments, Deutsches Hygiene-Museum, Dresden, Germany |
|
|
Trafic
d'influences: Art & Design, Tri Postal, Lille, France |
|
| Ulysses, Galerie Belvedere, Vienna, Austria | |
| Uses of the Image: Photography, Film and Video In The Jumex Collection, Malba, Buenos Aires, Argentina | |
| Utopia Station, Haus der Kunst, Munich, Germany | |
| Welsh Venice Tour, Glynn Vivian Art Gallery, Swansea, UK | |
|
The Future Has A Silver Lining: Genealogies of Glamour, Migros Museum for Contemporary Art, Zurich, Austria |
|
| 2003 | Addiction, 15 Micawber Street, London, UK |
|
Adorno, Frankfurter Kunstverein, Frankfurt, Germany |
|
| Cardinales, MARCO, Vigo, Spain | |
| Edén, La Colección Jumex, Mexico City, Mexico | |
| Further; Artists from Wales, 50. Biennale di Venzia, Venice, Italy | |
| Independence, South London Gallery, London, UK | |
| Light Works, Taka Ishii Gallery, Tokyo, Japan | |
| Someone to Share My Life With, The approach, London, UK | |
| St. Sebastian. A Splendid Readiness For Death, Kunsthalle Vienna, Austria | |
| Take a Bowery: The Art and (larger than) Life of Leigh Bowery, MCA Sydney, Australia | |
| The Straight or the Crooked Way, Royal College of Art Galleries, London, UK | |
|
Utopia
Station, 50th International Venice Biennale, Venice, Italy |
|
| Wittgenstein Family Likenesses, Institute of Visual Culture, Cambridge, UK | |
|
Galleria Lorcan O'Neill, Rome, Italy |
|
| 2002 | ForwArt, Palais des Beaux-Arts, Brussels, Belgium |
| Iconoclash. Image Wars in Science, Religion and Art, Center for Art and Media, Karlsruhe, Germany | |
| In the Freud Museum, Freud Museum, London, UK | |
| Lost Past/2002-1914, Merghelynck Museum, Ypres, Belgium | |
| Mirror: Its Only Words, London College of Printing, The London Institute, London, UK | |
| My Head is on Fire but My Heart is Full of Love, Charlottenborg Museum, Copenhagen, Denmark | |
| Screen Memories, Contemporary Art Centre, Art Tower Mito, Tokyo, Japan | |
| Shine, The Lowry Centre, Manchester, UK | |
| Void Archive, CCA, Kitakyushu, Japan | |
|
Documenta11, Kulturbahnhof, Museum Fridericianum, Documenta-Halle, Orangerie/Karlsaue and Binding-Brauerei, Kassel, Germany |
|
| 2001 | Österreichische Galerie Belvedere, Vienna, Austria |
| Bridge the Gap, Text/Screening-Industrial Club of the West of Japan/CCA, Kitakyushu, Japan | |
| Dedalic Convention, curadoria de Liam Gillick/Stefan Kalmár-MAK, Vienna, Austria | |
| Diesseits und jenseits des Traums, Sigmund Freud Museum, Vienna, Austria | |
| Gymnasion, Bregenzer Kunstverein, Bregenz, Austria | |
| How do you change …. Institute of Visual Culture, Cambridge, UK | |
| My Generation, 24 Hours of Video Art, Atlantis Gallery, London, UK | |
| The Stunt/The Queel, London Institute, RAMC, London, UK | |
| There is something you should know, Die EVN Sammlung im Belvedere, Österreichische Galerie Belvedere, Vienna, Austria | |
| Video Screening, Anthony Wilkinson Gallery, London, UK | |
| Wales - Unauthorised Versions, House of Croatian Artists, Zagreb, Croacia | |
| What’s Wrong, Trade Apartment, London, UK | |
| Wir, Comawoche, Film Screening, Metropolis Cinema, Hamburg, Germany | |
| Zusammenhänge in Biotop Kunst, Kunsthaus Muertz, Austria | |
| International Triennale of Contemporary Art, Yokohama, Japan | |
| 2000 | Ever get the feeling you’ve been…, A22 Projects, London, UK |
| La Ville, le Jardin, la Mémoire 1998-2000, French Academy at Rome, Villa Medici, Rome, Italy | |
| Lost, Ikon Gallery, Birmingham, UK | |
| Out There, White Cube, London, UK | |
| Rumours, Arc en Reve Centre d’Architecture, Bordeaux, France | |
| Sensitive, Le Printemps de Cahors, Saint-Cloud, France | |
| The British Art Show 5, The Scottish National gallery of Modern Art, Edinburgh (National Touring Exhibitions), Edinburgh, Scotland | |
| The Greenhouse Effect, Serpentine Gallery, London, UK | |
| There is something you should know, Die EVN Sammlung im Belvedere, Vienna, Austria | |
| 1999 | 54x54, Financial Times Building, London, UK |
| Essential Things, Robert Prime, London, UK | |
| Fourth Wall, Public Art Development Trust, Royal National Theatre, London, UK | |
| La Memoire, Academy de France a Rome, Rome, Italy | |
| Re Rebaudengo Collection, Re Rebaudengo Gallery, Turin, Italy | |
| Retrace your steps: Remember Tomorrow, Sir John Soane’s Museum, London, UK | |
|
Neu Gallery, Berlin, Germany |
|
| 1998 | Close Echos, Public Body and Artificial Space, City Art Gallery, Prague, Czech Republic; Kunsthalle, Krems, Austria |
| From the Corner of the Eye, Stedelijk Museum, Amsterdam, Netherlands | |
| How will we behave?, Robert Prime, London, UK | |
| Ray Rapp, Tz’Art & Co., New York, USA | |
| View Four, Mary Boone, New York, USA | |
| 1997 | 7th International Video Week, Geneva, Switzerland |
| FalseImpressions, The British School at Rome, Rome, Italy | |
| Gothic, ICA, Boston, USA | |
| Material Culture, Hayward Gallery, London, UK | |
| Sensation, Royal Academy of Arts, London, UK; Hamburger Bahnhof, Berlin, Germany | |
| 1996 | Against, Anthony d’Offay, London, UK |
| British Artists in Rome, Studio Casagrande, Rome, Italy | |
| Kiss This, Focal Point Gallery, Southend, UK | |
| Life / Live, Musee d’Art Moderne de la Ville de Paris, Paris, France; Centro de Exposições do Centro Cultural de Belém, Lisboa, Portugal | |
| Some Drawing: From London, curadoria de Kate Bernard, London, UK | |
| 1995 | Faction Video, Royal Danish Academy of Fine Arts, Copenhagen, Denmark |
| Future Anterior, Eigen + Art’s/ IIAS - Young British Artists, London, UK | |
| General Release: Young British Artists, Scuola di San Pasquale, Venice, Italy | |
| Sick, 152 Brick Lane, London, UK | |
|
Stoppage, FRAC Tours, Paris, France |
|
| 1994 | Superstore Boutique, Laure Genillard Gallery, London, UK |
|
5th Oriel Mostyn Open Exhibition, Oriel Mostyn, Llandudno, UK |
|
| Flux, Film Screening at Minema Cinema, London, UK | |
| Liar, curadoria de Gregor Muir, Hoxton Square, London, UK | |
| Olive Tree Installation, The Orangery, Holland Park, London, UK | |
| People Must Bed God to Stop..., performance no Fete Worse than Death, Hoxton Square, London, UK | |
|
Potato, IAS, London, UK |
|
| 1993 | Modern Medicine, Instalação/evento no Barley Mow com Angus Fairhurst e Leigh Bowery em associação com Factual Nonsense Gallery, London, UK |
|
Speaking of Sofas, Tate Gallery, London and Gavin Brown's Enterprise,
New York, United States |
|
| 1992 | 240 Minutes, Galerie Esther Schipper, Cologne, Germany |
| Cerith Wyn Evans and Gaylen Gerber, Wooster Gardens Gallery, New York, USA | |
| 1990 | Image and Object in Current British Art, Centre Pompidou, Paris, France |
|
Sign of the Times, MOMA, Oxford, UK |
|
| 1988 | Degrees of Blindness, Edinburgh Film Festival, Edinburgh, Scotland |
| Film Makers Co-op, London, UK | |
|
The Melancholy Imaginary, London, UK |
|
| 1987 |
The Elusive Sign, Tate Gallery, London, UK |
| 1985 | Syncronisation of the Senses, ICA Cinematheque, London, UK |
|
The New Pluralism, Tate Gallery, London, UK |
|
| 1984 | Artist as Film Maker, National Film Theatre, London, UK |
| The Salon of 1984, ICA Gallery, London, UK | |
| 1983 | The New Art, Tate Gallery, London, UK |
| 1982 |
Riverside – Film excerpts, BBC2 Television, London, UK |
| Formação | |
| 1984 |
Mestre [MA] Film and Video, Royal College of Art, London, UK |
| 1980 |
Graduado [Graduated] St Martin’s School of Art, London, UK |
| Coleções públicas | |
| Caldic Collection, Rotterdam, Netherlands | |
| EVN, Vienna, Austria | |
| Frankfurter Kunstverein, Germany | |
| La Coleccion Jumex, México | |
| Museo de Arte Acarigua-Araure, Caracas, Venezuela | |
| Pompidou Centre, Paris, France | |
| Rerebaudengo, Torino, Italy | |
| Saatchi Collection, London, UK | |
| Tate Gallery, London, UK | |
|
The British Council, London, UK |
|