Currículo
| Exposições Individuais | |
| 2010 |
Navedenga, MOMA – Museum of Modern Art, New York, USA |
| Astrup Fernley Museum of Modern Art, Oslo, Norway | |
| Hayward Gallery, London, UK | |
| Lois & Richard Rosenthal Center for Contemporary Art, Cincinnati, USA | |
|
MAM – Museu de Arte Moderna de São Paulo, Brasil |
|
| 2009 | A Culpa Civilizada, Musée des Beaux-arts, Nantes, France |
| Anthropodino, Drill Hall, New York, USA | |
| Mitodengo, Galpão Fortes Vilaça, São Paulo, Brasil | |
|
Galpão Fortes Vilaça, São Paulo, Brasil |
|
| 2008 | A sculpture can be anything that can stand upright, Galeria Elba Benitez, Madrid, Spain |
|
MACRO - Museu d'Arte Contemporanea di Roma, Rome, Italy |
|
| Fondazione Volume!, Rome, Italy | |
| Galeria Elba Benitez, Madrid, Spain | |
| Gallerí I 8, Reykjavík, Iceland | |
|
Tanya Bonakdar Gallery, New York, USA |
|
| 2007 | É a vida, o espaço interior, Galeria Artur Fidalgo, Rio de Janeiro, Brasil |
| From Sebastian to Olivia, Galerie Max Hetzler, Berlin, Germany | |
| O abraço do tempo, com [with] Carlos Bevilacqua, Galeria Fortes Vilaça, São Paulo, Brasil | |
| Otheranimal, Merce Cunningham Dance Company, MOCA - Museum of Contemporary Art, Miami, USA | |
|
Marugame Genichiro-Inokuma Museum of Contemporary Art (The MIMOCA Foundation), Kagawa, Japan |
|
| 2006 | Art Unlimited, Art Basel, Basel, Switzerland |
| Forum 57: Luisa Lambri and Ernesto Neto, Carnegie Museum of Art, Pittsburgh, USA | |
| How to Put It Up, Dulcineia!, Galerie Bob van Orsouw, Zurich, Switzerland | |
| In/Out, Tomio Koyama Gallery, Tokyo, Japan | |
| Léviathan Thot, 35 Festival d' automne à Paris, Panthéon, Paris, France | |
|
The Malmö Experience, Malmö Konsthall, Sweden |
|
| Tanya Bonakdar Gallery, New York, USA | |
|
Tomio Koyama Gallery & Koyanagi Gallery, Tokyo, Japan |
|
| 2005 | Agora Bolas..., Linhas e cores, Galeria Fortes Vilaça, São Paulo, Brasil |
| O Corpo onde não há, Festival d'Automne, Chapelle Saint Louis de la Salpêtrière, Paris, France | |
| There Is Nothing Else to Be Seen but the World, Galerie Yvon Lambert, Paris, France | |
| Tractatus / Deuses, Sigmund-Freud-Museum, Vienna, Austria | |
| Domaine de Kerguéhennec Centre D'art Contemporain, Paris, France | |
| Freud Museum, Vienna, Austria | |
|
Indianapolis Museum of Art, Indianapolis, USA |
|
| 2004 | 4 Artists and I, Butler Gallery, Kilkenny, Ireland |
| Citoplasma e Organóides, Projeto Respiração, Fundação Eva Klabin, Rio de Janeiro, Brasil | |
| Projeto Respiração, Fundação Eva Klabin, Rio de Janeiro, Brasil | |
| Special installation for Project Room, Fundament Foundation - De Pont, Wilhelmina Park 1, Tilburg, Netherlands | |
| Centro Cultural São Paulo, São Paulo, Brasil | |
| Galerie Max Hetzler, Berlin, Germany | |
| Museu de Arte da Pampulha, Belo Horizonte, Brasil | |
| The Fabric Museum and Workshop, Philadelphia, USA | |
| 2003 | Ernesto Neto, MOCA - Museum of Contemporary Art, Los Angeles, USA |
| The Silent Cliff: the gate, the house, the garden, the people, Tanya Bonakdar Gallery, New York, USA | |
| Museu de Arte Moderna Aloísio Magalhães, Recife, Brasil | |
| Museum of Contemporary Art, Sydney, Australia | |
|
Passing Time, Passing Space, Aarhus Artbuilding, Aarhus, Denmark |
|
| 2002 | Directions-Ernesto Neto, Hirshhorn Museum and Sculpture Garden, Washington D.C., USA |
| Genealogy of Life, Württembergischer Kunstverein Stuttgart, Stuttgart, Germany | |
| Les blocs du plaisir, Galerie Yvon Lambert, Paris, France | |
| Passing Time, Passing Space, Aarhus Artbuilding, Aarhus, Denmark | |
| Aarhus Artbuilding, Aarhus, Denmark | |
| Art Gallery of New South Wales, New South Wales, Australia | |
| Arte Futura e Companhia, Brasília, Brasil | |
| Galerie Yvon Lambert, Paris, France | |
| Kunsthalle Basel, Basel, Switzerland | |
| Museum of Contemporary Art, Sydney, Australia | |
|
Würtemberginischer Kunstverein, Sttutgart, Germany |
|
| 2001 | A paisagem do corpo/O corpo da paisagem, Centro Galego de Arte Contemporânea, Santiago de Compostela, Spain |
| Ernesto Neto|MATRIX 190, A Maximum Minimal Time Space Between Us and the Parsimonious Universe, UC Berkeley Art Museum and Pacific Film Archive, Berkeley, USA | |
| Espelho Cego, Paço Imperial, Rio de Janeiro, Brasil | |
| Horizonte de eventos, Laura Marsiaj Arte Contemporânea, Rio de Janeiro, Brasil | |
| O Casamento: Lili, Neto. Lito e os loucos, MAM Museu de Arte do Rio de Janeiro, Rio de Janerio, Brasil | |
| Only the amoebas are happy, Tanya Bonakdar Gallery, New York, USA | |
| Plateau of Humankind, 49 Bienalle di Venezia, Pavilhão Brasileiro [Brasilian Pavillion], Venice, Italy | |
| Bonakdar Jancou Gallery, New York, USA | |
| Centro Galego de Arte Contemporânea, Santiago de Compostela, Spain | |
| Galeria Laura Marsiaj, Rio de Janeiro, Brasil | |
| Kölnischer Kunstverein, Cologne, Germany | |
| Kiasma Museum of Comtemporary Art, Helsinki, Finland | |
|
Museu de Arte Moderna, Rio de Janeiro |
|
| 2000 | Accontece num fim de tarde, Galeria Camargo Vilaça, São Paulo, Brasil |
| Ernesto Neto/Andy Goldsworthy, SITE Santa Fé, New Mexico, USA | |
| Pensamentos Emocionais, Galeria Elba Benitez, Madrid, Spain | |
| Sister Naves, Wexner Center for the Arts, Columbus, USA | |
| Dundee Contemporary Arts, Dundee, Scotland | |
| Galeria Elba Benítez, Madrid, Spain | |
|
Institute of Contemporary Arts (ICA), London, UK |
|
| 1999 | Nhó Nhó Nave, Contemporary Art Museum, Houston, USA |
|
James Van Damme Gallery, Brussels, Belgium |
|
| 1998 | Poff, Poff, Poff, Museo de Arte Contemporaneo Carrilo Gil, México D.F., México |
|
Bonakdar Jancou Gallery, New York, USA |
|
| 1997 | Esculturas, Galeria Pedro Oliveira, Porto, Portugal |
| Bonakdar Jancou Gallery, New York, USA | |
| Christopher Grimes Gallery, Los Angeles, USA | |
| Fundação Cultural do Distrito Federal, Brasília, Brasil | |
|
Galeria Camargo Vilaça, São Paulo, Brasil |
|
| 1996 | Christopher Grimes Gallery, Santa Monica, USA |
| Espacio 204, Caracas, Venezuela | |
| Galeria Elba Benítez, Madrid, Spain | |
| Paço Imperial, Rio de Janeiro, Brasil | |
|
Zolla-Lieberman Gallery, Chicago, USA |
|
| 1994 |
Galeria Camargo Vilaça, São Paulo |
| 1993 | Quase Desenhos, Espaço Cultural Sergio Porto, Rio de Janeiro, Brasil |
| 1992 |
Museu de Arte Moderna de São Paulo, Brasil |
| 1991 | Centro Cultural São Paulo, São Paulo, Brasil |
|
Galeria de Arte do IBEU, Rio de Janeiro, Brasil |
|
| 1990 | Espaço Cultural Sérgio Porto, Rio de Janeiro, Brasil |
| Funarte, Rio de Janeiro, Brasil | |
| Galeria Millan, São Paulo, Brasil | |
| 1989 |
Galeria Macunaíma, FUNARTE, Rio de Janeiro, Brasil |
| 1988 |
Petit Galerie, Rio de Janeiro, Brasil |
| Exposições Coletivas | |
| 2011 |
Vestígios
de Brasilidade, Santander Cultural, Recife, PE, Brasil. |
| 2010 | 29ª Bienal de São Paulo, São Paulo, Brasil |
| 2009 | Écritures Silencieuses, Espace Louis Vuitton, Paris, France |
| After Utopia – A View on Brazilian Contemporary Art, Centro per l’arte contemporanea Luigi Pecci, Prato, Italy | |
| Arte para Crianças - Uma exposição de arte contemporânea para o publico infantil, SESC Pompéia, São Paulo, Brasil | |
| Brazil Contemporary, Museum Boijmans Van Beuningen, Rotterdan, Nederland | |
| Desenhos [Drawings]: A – Z, Museu da Cidade, Lisboa, Portugal | |
| Experiências Contemporâneas – Coleção Marcantonio Vilaça no MAC USP, Espaço Cultural Marcantonio Vilaça, Brasília, Brasil | |
| History of Violence, Haifa Museum of Art, Tel Aviv, Israel | |
| MEMORIAL revisitado, 20 anos, Memorial da América Latina, São Paulo, Brasil | |
| Nus, Galeria Fortes Vilaça, São Paulo, Brasil | |
| When Lives Become Form: Creative Power from Brazil, Hiroshima City Museum of Contemporary Art, Japan; Yerba Buena Center for the Arts, San Francisco, USA | |
| 2008 | 19 desarranjos – Panorama da Arte Brasileira 2003, Museo de Arte del Banco de la Republica Bogotá, Colombia |
| Blooming Now!: Brazilian Contemporary Art, Toyota Municipal Museum of Art, Japan | |
| Container Art, Parque Vila Lobos, São Paulo, Brasil | |
| De Perto e de Longe – Paralela 08, Liceu de Artes e Ofícios de São Paulo, Brasil | |
| It is Not Neutral: Daros Latin American Collection, Centro de Cultura Contemporánea Tabakalera, San Sebastián, Spain | |
| nmúltiplos, Galeria Arte 21, Rio de Janeiro; Galeria Murilo Castro, Belo Horizonte, Brasil | |
| Order Desire Light: An Exhibition of Contemporary Drawings, IMMA – Irish Museum of Modern Art, Dublin, Ireland | |
| PARANGOLÉ. Fragmentos desde los 90 en Brasil, Portugal y España, Museo Patio Herreriano, Valladolid, Spain | |
| Poética da Percepção, Museu de Arte Moderna do Rio de Janeiro, Brasil | |
| Psycho Buildings: Artists take on architecture, Hayward Gallery, London, UK | |
| Space for your Future, Museum of Contemporary Art, Tokyo, Japan | |
|
Thyssen-Bornemisza Art Contemporary, Collection as Aleph, Kunsthaus Graz, Austria |
|
| 2007 | 1980/95, Instituto Tomie Ohtake, São Paulo, Brasil |
| 80-90: Modernos, Pós Modernos, etc, Instituto Tomie Ohtake, São Paulo, Brasil | |
| Action in Utopia, Leiter Des Landesgalerie, Linz, Austria | |
| Arte para criança,Museu Vale do Rio doce Vitória, Rio de Janeiro, Brasil | |
| Close to Me, Guenzani, via Melzo 5, Milan, Italy | |
| Held together with water, MAK Ausstellungshalle, Vienna, Austria | |
| ICA 60 the Aniversary Edition, ICA, London, UK | |
| Melting point, Tokyo opera city, Tokyo, Japan | |
| PNCA Hessel Museum Bard College, New York, USA | |
| Poética da Percepção. Espaço Vivo, São Paulo, Brasil | |
| Por um fio, Espaço Cultural CPFL, Campinas; Paço das Artes, São Paulo, Brasil | |
| Retalhar, Centro Cultural Banco do Brasil, Rio de Janeiro, Brasil | |
| Space for your future, MOT, Tokyo, Japan | |
| Tropicália Uma Revolução na Cultura Brasileira (1967 -1972), MAM - Museu de Arte Moderna do Rio de Janeiro, Brasil | |
| 2006 | Abrigo Poético: Diálogos com Ligia Clark, Museu de Arte Contemporânea de Niterói, Rio de Janerio, Brasil |
| Brazil in Zurich: Seduced to art by art, Daros Exhibitions, Löwenbräu-Areal, Zurich, Switzerland | |
| Carbonic Anhydride, Galerie Max Hetzler, Berlin, Germany | |
| Choque Cultural na Fortes Vilaça - Fortes Vilaça na Choque Cultural, Galeria Fortes Vilaça, São Paulo, Brasil | |
| Gardens, Toyota municipal museum of art, Toyota, Japan | |
| MAM na Oca, Parque do Ibirapuera, São Paulo, Brasil | |
| Paralela 2006, Parque do Ibirapuera, São Paulo, Brasil | |
| Reverence, Hudson Valley Center for Contemporary Art, Peekskill, USA | |
| Seduções (Seductions), Daros-Latinamerica, Zurich, Switzerland | |
|
Sublime Embrace: Experiencing Consciousness in Contemporary Art, Art Gallery of Hamilton, Art Gallery of Hamilton, Canada |
|
| Surprise Surprise, Institute of Contemporary Arts, London, UK | |
| The Grand Promenade, National Museum of Contemporary Art of Athens, Athens, Greece | |
| Tropicália: A Revolution in Brazilian Culture, Barbican Art Gallery, London, UK, Centro Cultural Belém, Lisboa; The Bronx Museum of the Arts, New York, USA | |
| CACI Centro de Arte Contemporânea de Inhotim, Brumadinho, Brasil | |
| Echigo-Tsumari Art Triennial, Tokyo, Japan | |
| 2005 | 5ª Bienal de Arte do Mercosul, Porto Alegre, Brasil |
| 150 Works of Art, Henry Art Gallery, University of Washington, Seattle, USA | |
| 20 Desarreglos: Panorama del Arte Brasileira, Museo de Arte Contemporánea de Vigo, Spain | |
| A Imagem do Som de Dorival Caymmi, Paço Imperial, Rio de Janeiro, Brasil | |
| Bresil = Foot Art, Galerie 1900 - 2000, Paris, France | |
| Collecció Fundació La Caixa: 20 Years with Contemporary Art. New Acquisitions Caixa Forum, Barcelona, Spain | |
| Contained, Tanya Bonakdar Gallery, New York, USA | |
| Desenhos: A - Z (Drawings A - Z), Collecção Maderia Corporate Sevice, Porta 33, Funchal, Portugal | |
| Deseos Fluidos: Brazilian and Cubans Perspectives Between Reality and Fantasy.Thyssen-Bornemisza Art, Vienna, Austria | |
| Drawing from the Modern: 1975 - 2005, Museum of Modern Art, New York, USA | |
| Educação, Olha!, A Gentil Carioca, Rio de Janeiro, Brasil | |
| Exchange Brazil, Pacific Northwest College of art, Portland, USA | |
| Extreme Abstraction - Albright-Knox Art Gallery, Buffalo, New York, USA | |
| Fairy Tales Forever - Homage to H.C. Andersen, Aros Aarhus Kunstmuseum, Aarhus, Denmark | |
| J'en revê, Fondation Cartier, Paris, France | |
| Múltiplos, Galeria Laura Marsiaj, Rio de Janeiro, Brasil | |
| O Corpo na Arte Contemporânea Brasileira, Itaú Cultural, São Paulo, Brasil | |
| Razão e Sensibilidade, Casa Cor, São Paulo | |
| The Hours: Visual Arts of Contemporary Latin America, trabalhos selecionados da Coleção Latino Americana de Daros, Irish Museum of Modern Art, Dublin, Ireland | |
| Troca Brasil, The Feldman Gallery, Pacific Northwest College of Art, Portland, USA | |
| Tropicália: A Revolution in Brazilian Culture, The Museum of Contemporary Art, Chicago, USA | |
| 2004 | 1st International Biennial of Contemporary Art, Seville, Spain |
| 21st Anniversary Show, Christopher Grimes Gallery, Los Angeles, USA | |
| A Contemporary Woman: Disorientation of Beauty, De Pont - Museum of Contemporary Art, De Pont - Museum of Contemporary Art, Tilburg, Netherlands | |
| A New Modernism for a New Millenium: Abstraction and Surrealism are Reinvented in the Internet Age, The Logan Collection, Vail, USA | |
| Arte Contemporânea Brasileira nas Coleções do Rio, MAM RJ, Brasil | |
| Bazar de Verão, Galeria Fortes Vilaça, São Paulo, Brasil | |
| Brasil: Body Nostalgia, The National Museum of Modern Art, Tokyo, Japan | |
| Casa - Poética do Espaço na Arte Brasileira, Museu Vale do Rio Doce, Vila Velha, Espírito Santo, Brasil | |
| Everyting is connected he, he, he; Astrup Fearnley - Museum for Modern Art, Oslo, Norway | |
| Happiness: A survival guide for art and life, Mori Art Museum, Tóquio, Japan | |
| Invenção de Mundos, Coleção Marcantonio Vilaça, Museu Vale do Rio Doce, Vila Velha, Espírito Santo, Brasil | |
| Panorama da Arte Brasileira, MAMAM - Museu de Arte Moderna Aluísio Magalhães, Recife, Brasil | |
| Paralela 2004, São Paulo | |
| Perception of Space, Museum Boijmans van Beuningen, Rotterdam, Netherlands | |
| Perspectives @ 25: A Quarter Century of New Art in Houston, The Brown Foundation Gallery, Contemporary Arts Museum, Houston, USA | |
| Polyphony: Emerging Resonances, 21st Century Museum of Contemporary Art, Kanazawa, Japan | |
| The encounters in the 21st Century: Polyphony - emerging resonances, 21st Century Museum of Contemporary Art, Kanazawa, Japan | |
| The Real Royal Trip/El retorno, Museo Pátio Herreriano, Valladolid, Spain | |
| The Snow Show, Kemi and Rovaniemi, Laponia, Finland | |
| Tilburg Triennial of Contemporary Art: Disorientation by Beauty, Fundament Foundation, Tilburg, Netherlands | |
| Bedford Gallery Regional Center for the Arts, Walnut Creek, USA | |
|
Thin Skin: The fickle Nature of Bubbles, Spheres and Inflatable Structures, Boise Art Museum, Boise, USA |
|
| 2003 | 50 Biennale di Venezia, UNESCO´s Palazzo Zorzi, Venice, Italy |
| 8th Havana Biennial, Havana, Cuba | |
| A Nova Geometria, Galeria Fortes Vilaça, São Paulo, Brasil | |
| A simple plan, James Cohan Gallery, New York, USA | |
| Einbildung - das Wahrnehmen in der Kunst, landesmuseum, Graz, Austria | |
| Forever, Andrea Rosen Gallery, New York, USA | |
| From Dust to Dusk - Art between light and dirt, Charlottenborg Exhibition Hall, Copenhagen, Denmark | |
| Imagination: On Perception in Art, Steirischer Herbst 2003, Kunsthaus Graz, Graz, Austria | |
| Marcantonio Vilaça - Passaporte Contemporâneo, MAC USP, São Paulo, Brasil | |
| Nouvelle Présentacion dês Collections Contemporaines du Musée Nacional d´Art Moderne, Centre Pompidou, Paris, France | |
| Panorama da Arte Brasileira, Paço Imperial, Rio de Janeiro, Brasil | |
| Plunder - Culture as Material, at Dundee Contemporary Arts, Dundee, Scotland | |
| Pulse: Art, Healing, and Transformation, Institute of Contemporary Art, Boston, USA | |
| The Real Royal Trip, P.S.1 MoMA - Museum of Modern Art, New York, USA | |
| The silent cliff: the gate, the house, the garden, the people, Tanya Bonakdar Gallery, New York, USA | |
| Thin Skin: The fickle Nature of Bubbles, Spheres, and Inflatable Structures, Edwin A. Ulrich Museum of Art Wichita State University, Kansas, USA; Chicago Cultural Center, Chicago, USA; International Museum of Art and Science in McAllen, Texas, USA; Gemeentemuseum Helmond, Netherlands | |
| Via BR 040 - longo trecho em aclive, Museu Imperial - Plataforma Contemporânea, Petrópolis, Rio de Janeiro, Brasil | |
| 2002 | Archivo Pons Artxiboa, Koldo Mitxelena Kulturnuea, Donostia-San-Sebastian, Spain |
| Caminhos do Contemporâneo, Paço Imperial do Rio de Janeiro, Brasil | |
| El Real Viaje Real, PS1, New York, USA | |
| Ernesto Neto/Rivane Neuenschwander, Museum of Modern Art, Recife, Brasil | |
| Forever, Andrea Rosen Gallery, New York, USA | |
| Insieme/Together 2002, Museo Nazionale di Archittetura, Ferrara, Italy | |
| Matéria Prima, Novo Museu, Curitiba, Brasil | |
| poT, II Liverpool Biennial of Cotemporary Art, UK; Galeria Fortes Vilaça, São Paulo, Brasil | |
| Pulse, Institute of Contemporary Art, Boston, USA | |
| Retalhar 2002, Sesc Belenzinho, São Paulo, Brasil | |
| Shape, 21st Century Museum of Contemporary Art, Kanazawa, Japan | |
| Skin, Soul, Centro Cultural Banco do Brasil, Rio de Janeiro, Brasil | |
| Sleeping, Dreaming, Awakening, Kawamura Memorial Museum of Art, Chiba, Japan | |
| The Drawing Center's 25th Anniversary Benefit Selections exhibition Lottery, The Drawing Center, New York, USA | |
| The Inside is the Outside, Bard College, Annandale-on-Hudson, USA | |
| Thin Skin: The fickle Nature of Bubbles, Spheres, and Inflatable Structures, AXA Gallery, New York, USA; Scottsdale Museum of Contemporary Art, USA | |
| Thin Skin: the fickle Nature of Bubbles, Spheres, and Inflatable Structures, Gemeentemuseum Helmond, Netherlands; AXA Gallery, New York; Scottsdale Museum of Contemporary Art, Scottsdale, USA | |
| 2001 | 49 Bienalle di Venezia, Venice, Italy |
| Ars, Kiasma Museum of Contemporary Art, Helsinki, Finland | |
| Before Reflection Begins, List Art Center, Brown University, Providence, Rhode Island, USA | |
| Bodyspace, The Baltimore Museum of Art, Baltimore, USA | |
| Brazil: Body and Soul, Guggenheim Museum, New York, USA; Guggenheim Bilbao, Bilbao, Spain | |
|
El Final Del Eclipse, Fundación Telefónica, Madrid; Palacio de Los Condes de Gabia Salas Caja General e Instituto de América, Granada and Santa Fe de Granada; Museo de Arte Extremeño e Iberoamericano, MEIAC, Badajoz, Spain |
|
| Espelho Cego, Paço Imperial do Rio de Janeiro, Rio de Janeiro, Brasil | |
| Outros 500, University Gallery, University of Essex, Essex, UK | |
| Short Stories, Henry Art Gallery, University of Washington, Seattle, USA | |
| Space-Jack, Yokohama Museum of Art, Tokyo, Japan | |
| Surface, Kiasma Museum of Contemporary Art, Helsinki, Finland | |
| Surface, Lunds Konsthall, Lund Municipal Art Gallery and Konstföreningen Aura, Krognoshuset, Sweden | |
| The Inward Eye, Transcendence in Contemporary Art, Contemporary Arts Museum, Houston, Texas, USA | |
| Trajetória da Luz na Arte Brasileira, Itaú Cultural, São Paulo, Brasil | |
| TRANS>editions, Chac Mool Gallery, Los Angeles, USA | |
| Vantage Points, Irish MOMA, Dublin, Ireland | |
| Vivências, The New Art Gallery Walsall, Walsall, UK | |
| IBEU: 1991 - 2001, Galeria IBEU, Rio de Janeiro, Brasil | |
| 2000 | Biblioteca Luis Arango, Bogota, Colombia |
| Brasil 500 Anos, Artes Visuais, Fundação Bienal de São Paulo, Brasil | |
| Charles Long, Ernesto Neto e Siobhan Hapaska, Magasin 3 Stockholm Konsthall, Stockholm Sweden | |
| Carnegie International 1999/2000, Pittsburgh, USA | |
| Desde el Cuerpo, Fundación Museo Alejandro Otero, Caracas, Venezuela | |
| Investigações: o trabalho do artista, Instituto Itaú Cultural, São Paulo, Brasil | |
| La Répétition, la Tête dans les Nuages, Villa Arson, Nice, France | |
| OO, Barbara Gladstone Gallery, New York, USA | |
| Os 90, Paço Imperial do Rio de Janeiro, Rio de Janeiro, Brasil | |
| Sense and Sensuality: Body and Soul in Pictures, Neues Museum Weserburg, Bremen, Germany | |
| Sinn und Sinnlichkeit, Köper und Geist im Bild, Neues Museum Weserburg Bremen, Germany | |
| SKIN, Cranbrook Art Museum, Michigan, USA | |
| The Invisible Touch, Kunstraum Innsbruck, Innsbruck , Austria | |
| Trace, 1st Liverpool Biennial of Contemporary Art, Liverpool, UK | |
| Wonderland, Saint Louis Museum, USA | |
| 1999 | A Vuelta con los Sentidos, Casa de América, Madrid, Spain |
| Amnesia, The Contemporary Arts Center, Cincinnati, USA; University of South Florida Contemporary Art Museum, Tampa, Florida, USA; Track 16 Gallery and Christopher Grimes Gallery, Santa Monica, USA, Biblioteca Luiz Arango, Bogota, Colombia | |
| Collectors Collect Contemporary: 1990-99, The Institute of Contemporary Art, Boston, USA | |
| Desde el Cuerpo, Fundación Museo Alejandro Otero, Caracas, Venezuela | |
| Drawings, Bonakdar Jancou Gallery, New York, USA | |
| La Metamorfosis de las Manos, Mar del Plata, Argentina | |
| Os 90, Paço Imperial, Rio de Janeiro, Brasil | |
| Raumkörper: netze und andere Gebilde, Kunsthalle Basel, Switzerland | |
|
The Best of Season, The Aldricht Museum of Contemporary Art, Connecticut, USA |
|
| Trace, First Liverpool Bienial of Contemporary Art, UK | |
| Versiones del Sur, Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain | |
| Wonderland, Saint Louis Museum, Saint Louis, USA | |
| Zero G: When Gravity Becomes Form, Whitney Museum of American Art at Champion, Stamford, USA | |
| 1998 | Arte Contemporânea Brasileira no Núcleo Histórico, XXiV Bienal Internacional de São Paulo, Pavilhão Ciccillo Matarazzo, São Paulo, Brasil |
| Bienal Barro de América, Roberto Guevara, Memorial da America Latina, São Paulo; Museu Brasileiro da Escultura, São Paulo; Paço das Artes, São Paulo, Brasil | |
| Bienal del Barro, Fundación Museo Alejandro Otero, Caracas, Venezuela | |
| Camargo Vilaça BIS 46, Galeria Camargo Vilaça, São Paulo, Brasil | |
| Contemporánea, Fundación Museo Alejandro Otero, Caracas, Venezuela | |
| Corpos em Trânsito, Galeria Pedro Oliveira, Porto, Portugal | |
| Poéticas da Cor, Centro Cultural da Light, Rio de Janeiro, Brasil | |
| Puntos Cardinales, Fundación Museo Alejandro Otero, Caracas, Venezuela | |
| XI Sydney Biennial, Australia | |
| 1997 |
A Arte Contemporãnea da Gravura Brasil-Reflexão 97, MUMA, Museu Metropolitano de Arte de Curitiba, Curitiba, Brasil |
| As Outras Modernidades, Haus der Kulturen der Welt, Berlin, Germany | |
| Así Está la Cosa: arte objeto y instalación de Ibero América, Centro Cultural Arte Contemporáneo, Mexico D.F., Mexico | |
|
Best of the Season: Selected Works from 1996-97 Gallery Exhibitions, The Aldrich Museum of Contemporary Art, Connecticut, USA |
|
| Bienal del Barrio, Fundación Museo Alejandro Otero, Caracas, Venezuela | |
| Die Anderen Modernen, Haus der Kulturen der Welt, Berlin, Germany | |
| Loose Threads, Serpentine Gallery, London, UK | |
|
Material Immaterial, The Art Gallery of New South Wales, Sydney, Australia |
|
| Novas Aquisições, Museu de Arte Moderna do Rio de Janeiro, Brasil | |
| Sueños Concretos, Biblioteca Luis Angel Arango, Bogota, Colombia | |
| 1996 | Camargo Vilaça Bis, Galeria Camargo Vilaça, São Paulo, Brasil |
| Defining the Nineties, Consensus-making in New York, Miami, and Los Angeles, Museum of Contemporary Art, Miami, USA | |
| Escultura Plural, Museu de Arte Moderna da Bahia, Salvador, Brasil | |
| Pequenas Mãos, Paço Imperial, Rio de Janeiro, Brasil; Centro Cultural Alumni, São Paulo, Brasil | |
|
Sin Fronteras/Arte Latinoamericano Actual, Museo Alejandro Otero, Caracas, Venezuela |
|
| Suenos Concretos, Biblioteca Luis Angel Arango, Bogota; Espaco 204, Caracas, Venezuela | |
| Summer Show, Tanya Bonakdar Gallery, New York, USA | |
| Transformal, Wiener Secession, Vienna, Austria | |
| Transparências, Museu de Arte Moderna do Rio de Janeiro, Brasil | |
| 1995 | 1st Kwangju International Biennale, Kwangju, South Korea |
| Anos Oitenta: O Palco da Diversidade, Museu de Arte Moderna do Rio de Janeiro, Brasil | |
| Country Code, Bravin Post Lee Gallery, New York, USA | |
| Entre o Desenho e a Escultura, Museu de Arte Moderna de São Paulo, São Paulo, Brasil | |
| L'Educazione Dei Cinque Sensi, Palazzo Pamphili, Rome, Italy | |
| Libertaris Libertinos, Palácio Gustavo Capanema, Rio de Janeiro, Brasil | |
| The Education of the Five Senses, White Columns, New York, USA | |
| The Five Senses, White Columns, New York, USA | |
| Drawing Center, New York, USA | |
| Galeria Camargo Vilaça, São Paulo, Brasil | |
|
Mostra da Gravura, Solar do Barão, Curitiba, Brasil |
|
| 1994 | A Espessura do Signo, Carmeliter Kloster, Frankfurt, Germany |
| Escultura Carioca, Museu Paço Imperial do Rio de Janeiro, Brasil | |
| Espaço Namour, São Paulo, Brasil | |
| 1993 | Brasil Hoy, Galeria Valenzuela & Klenner, Bogota, Colombia |
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Galeria Camargo Vilaça, São Paulo, Brasil |
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| 1992 | MAM - Museu de Arte Moderna de São Paulo, Brasil |
| 1991 | Brasil, la Nueva Generación, Fundación Museu Bellas Artes de Caracas, Caracas, Venezuela |
| Formas Tridimensionais: A questão orgânica, Museu Municipal de Arte, Curitiba, Brasil | |
| Panorama da Arte Brasileira Atual, Museu de Arte Moderna de São Paulo, São Paulo, Brasil | |
| VI Salão Paulista de Arte Contemporânea, São Paulo, Brasil | |
| Centro Cultural São Paulo, São Paulo, Brasil | |
| 1989 | A Ordem Desfeita, 110 Arte Contemporânea, Rio de Janeiro, Brasil |
| O Pequeno Infinito e o Grande Circunscrito, Galeria Arco, São Paulo, Brasil | |
| XI Salão Nacional de Artes Plásticas, Rio de Janeiro, Brasil | |
| 1988 | EAV-Processo n°738.765-2 |
| IBAC - Brazilian Institut of Art and Culture, Rio de Janeiro, Brasil | |
| Prêmios e Bolsas | |
| 2000 | CENTRAL Art Prize, Cologne, Germany |
| 1990 |
Prêmio Brasília de Artes Plásticas, Museu de Arte de Brasília, Brasília, Brasil |
| Coleções públicas | |
| 21st Century Museum of Contemporary Art, Kanazawa, Japan | |
| Centre Pompidou, Paris, France | |
| Centro de Arte Contemporáneo Málaga, Málaga, Spain | |
| Centro Galego de Arte Contemporânea, Santiago de Compostela, Spain | |
| Daros Latin America, Zurich, Switzerland | |
| Fundació La Caixa, Barcelona, Spain | |
| Fundación Televisa, México | |
| Henry Art Gallery, University of Washington, Seattle, USA | |
| Hirshhorn Museum and Sculpture Garden, USA | |
| Inhotim Centro de Arte Contemporânea, Minas Gerais, Brasil | |
| Joseph H. Hirshhorn, Washington D.C., USA | |
| Magasin 3 Stockholm Konsthall, Estocolmo, Sweden | |
| Milwaukee Art Museum, Milwaukee, USA | |
| MoMA, The Museum of Modern Art, New York, USA | |
| Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain | |
| Museum Boijmans van Beuningen, Rotterdam, Netherlands | |
| Museum of Contemporary Art, Los Angeles, USA | |
| Purchase Fund, Washington D.C., USA | |
| San Francisco Museum of Modern Art, São Francisco, USA | |
| Solomon R. Guggenheim Museum, New York, USA | |
| The American Fund for the Tate Gallery Collection, London, UK | |
| The Carnegie Museum of Art, Pittsburgh, USA | |
| The Martin Margules Family, Miami, USA | |
| The Monsoon, London, UK | |
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Thyssen-Bornemisza Contemporary Art Foundation, Vienna, Austria |
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