Bibliografia
| Livros, catálogos e folders de exposições selecionados | |
| 2008 | BURKARD, Lene and GRAMBYE, Lars; BONDE, Lisbeth; MCKEE, Francis. Julie Roberts – In Retro. Odense: Kunsthallen Brandts. |
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GABRIEL, Alexandre; MORAES, Marcia. Galeria Fortes Vilaça. Rio de Janeiro: Editora Cobogó.
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| 2006 | Girl Power and Boy Hood , Kunsthallen Brandts, Talbot Rice Gallery, Odense C, Denmark, Edinburgh, Scotland. |
| 2004 | SPORRE, Dennis J. Perceiving the Arts, Seventh Edition, Prentice Hall, New Jersey. |
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SPORRE, Dennis J. Reality Through the Arts, Fifth Edition, Prentice Hall, New Jersey.
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| 2003 | BRADLEY, Will. Painting Not Painting. Tate, St. Ives, England. |
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HARTLEY, Keith and CLARK, William. Home: Works by Julie Roberts 1993– 2003. Sean Kelly Gallery, New York. |
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SPORRE, Dennis J. The Creative Impulse, Sixth Edition, Prentice Hall, New Jersey. |
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| 2002 | DEWEY, Alice. New: recent acquisitions of contemporary British Art. The Scottish National Gallery of Modern Art, Glasgow. |
| FORTES, Marcia and VILAÇA, Alessandra. Rotiva: A contemporary art exhibition in two acts . Galeria Fortes Vilaça | |
| 2001 | BROWN, Katrina and TUFNELL, Robe. Here and Now: Scottish Art, 1990–2001. |
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Dundee Contemporary Arts, Dundee. |
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| 2000 | BUCLOW, Christopher. The Axolotl and the ID: Little Angels |
| CAGE, John. Into The Blue , Tooby, Mike, Light The Blue Torch Paper, Blue: borrowed and new, New Art Gallery, Walsall, England. | |
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DERIEUX, Florence, and various contributors. 45th Salon de Montrouge. |
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DOLL, Nancy and PLATT, Ron. Art on Paper 2000. Greensboro: The University of North Carolina, Greensboro, NC. |
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| Houldsworth Fine Art, London. | |
| SPORRE, Dennis. New Realism, The Creative Impulse: An Introduction to the Arts. Fifth Edition, published by Bud Therien, 2000. | |
| 1999 | Edinburgh: The City Art Centre, ISBN 0 905072863 |
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MCMILLAN, Duncan and MACDONALD, Murdo. Scotland´s Art.
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| 1998 | BRANDTZAEG, Kari, and NETTVERK-GLASGOW, J., foreword by Per Boym. |
| Museet Samidskunst. The National Museum of Contemporary Art, Oslo, Norway. ISBN 0802 7323. | |
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WYATT, Robert and various contributors. Like a Shadow: Ruminations on Art and Death, and the Death of Art, The Social Context of Death, Dying and Disposal. Scotland: Mackintosh Museum, Glasgow School of Art. ISBN 190 1248518.
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| 1997 |
FOSSATI, Paolo and TRUBENACH, Ursula. Pittura Castello Di Rivara, Rivara, Italia. |
| LIND, Maria. If Freud Had A Great Interest In The Young Hysterical Dora, Clean & Sane, (curated by Maria Lind). Edsvik Konst Och Kultur Sollentuna Sverige, Sweden/Gallerie F15 Moss, Norway,1997/98, Sweden. | |
| 1996 | CLARK, William. Infanticide. Stockholm: Sawn-Off, published by Maria Lind. |
| CODOGNATO, Mario. Artisti britanicci a Roma. Published in Italy by The British Council. | |
| MACMILLAN, Duncan and FISHER, Pat. Julie Roberts. Talbot Rice Gallery,University of Edinburgh/The Print Studio Gallery, Glasgow. ISBN 095 21219 3X. | |
| 1995 |
CORK, Richard. Injury Time. The British Art Show, a National Touring Exhibition organized by The Hayward Gallery, London. ISBN 1853321451. |
| 1994 | GILLICK, Gillick. Working on the Wall , Wall to Wall, a National Touring exhibition, organized by The Hayward Gallery. London: The South Bank Centre ISBN 1 853321214. |
| INNES, Moira. Complete . England: Leeds Metropolitan University Gallery, . ISBN 0 906860 27X. | |
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WILSON, Andrew. We Think We Know, Riviera, seven artists from Scotland. Wales: Orial Mostyn.
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| 1993 |
Various contributors, Emergenza, Aperto ´93 XLV Biennale Di Venezia, published by Flash Art, 1993. ISBN 8878160539.
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| 1992 | CROOS, Andrew. Julie Roberts. Glasgow: Centre for Contemporary Art, 1992. ISBN 1 873331 092. |
| 1991 |
MCKEE, Francis. Ice-cream and empires . Bellgrove, curated and published by Alan Dunn. ISBN 0951 855 07 |
| SINCLAIR, Ross. Bad smells but no sign of the corpse. Windfall 91 ,published in Glasgow. | |
| Artigos e Resenhas selecionados | |
| 2007 | Julie Roberts, O Estado de São Paulo , Caderno 2, June 4. |
| Julie Roberts: The New Woman Artist, Metrolife, Art Review Section,January 17. | |
| osgemeos e Julie Roberts, O Estado de São Paulo , Guia, July 27. | |
| The Good Wife, Folha de São Paulo, OsDez+, June 15. | |
| Traço Original: osgemeos e Julie Roberts, O Estado de São Paulo , Guia, Exposições, June 29, p. 90. | |
| Trabalho de casa repensado, onne.com.br , July 16. | |
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Julie Roberts: The Good Wife, Guia da folha , July 27. |
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| BRENER, Julie, A Capital Collection, Art + Auction , May, pp. 100- 106. | |
| GALE, Iain, Julie Roberts, Scotland on Sunday, January 21, p.9 | |
| KENNEDY, Alexander. This Woman’s Work, The List, Visual Art, January 18 – February 1, pp. 5, 82. | |
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Sábado, Estado de São Paulo , June 25.
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| 2006 | Dagens Udstilling, MetroXpress, Denmark, November 1. |
| Drengerove og skrappe toser, Magasinet Kunst, Udstillinger, December 4. | |
| Eegte Kopier, Borsen, Kulture, December 18. | |
| Fantasy-Malerier, Femina, Kunst, October 26. | |
| Forbudte, Bo Bedre, Nyheder, September 28. | |
| Girlpower & Boyhood, Jyllands-Posten/Morgenavisen, Kunsten Rundt, October 28 | |
| Girlpower & Boyhood, Appetize, Absolut Odense, November 10, p.129. | |
| Girlpower & Boyhood, Nyhedsavisen, Kulturen Anbefaler den Kommendueuge, Odense, November 9. | |
| Girlpower: Odense, Borsen, October 13. | |
| Julie Roberts: New Work, Preview, Glasgow Museums Magazine,Oct/Nov/Dec Issue, p. 27. | |
| Kunsthallen Brandts Klaedefabrik, Odense, Q, Kunstguide, September 25. | |
| Kunsthallen Brandts Klaedefabrik, Q, kunstguide, Qulture, November 20. | |
| Kunsthallen Brandts, Odense: Girlpower & Boyhood, Information, kunst i Efterarsferien, October 16. | |
| Odense, Jyllands-Posten/Morgenavsen, Vi Anbefaler, October 19 | |
| Odense, Jyllands-Posten/Morgenavsen, Vi Anbefaler, December 14 | |
| Staerke Toser og Kaekke Knaegte, Alt for Damerne, November 9, 2006. | |
| Studerende Har Kopieret Syv Vaerker, Fyens Stiftstidende, December 8. | |
| THE 50 BEST, Edinburgh Festival Attractions, The Independent, July 29, p. 10. | |
| Tirsday Front-page , Det sker i ugen: November 6 – 12. | |
| Todays’ Choice: Girlpower + Boyhood, The Scotsman, Festival Section, August 12, p. 2. | |
| Top Ten, This weeks unmissable shows, The List Magazine, Festival Magazine, August 24 – September 7, p. 60. | |
| ALBRETHSENA, Pernille. Fantasy-Kunst, Eoroman, Eorowoman Oplever, September 28. | |
| BLACK, Catriona. Young Dreamers, Sunday Herald, Visual Art, September 3, p. 23. | |
| BUHL, Ida, Klassekamp, Kunst og Aegrekopier, Nyhed Savisen, December 21. | |
| GALE, Iain. The Good, The Bad and The Unconnected, Scotland on Sunday , Review, August 27, p. 27. | |
| KASLOV, Magnus. Saere universer mellem barndom of voksenliv,NYHEDSAVISEN, Ny Udstilling, October 13. | |
| KENNEDY, Alexander. Four Questions, The List Magazine, Visual Art, 3-10 August. | |
| KENNEDY, Alexander. Girlpower & Boyhood-Group Show, The List Magazine, Festival Visual Art, September 7, p.103. | |
| KENNEDY, Alexander. Babes in the Wood, The List Magazine, Visual Art, 10-17 August, p. 84. | |
| KOCK, Marianna. Kvinderne Buldrer Derudad, Fyens Stiftstidende, October 13. | |
| LEWIS, Joe. Girlpower & Boyhood, Skinny Magazine, Arts, August Issue, p. 26. | |
| LINDBOE, Ole. Drengerove og Skrappe Toser, Magasinet Kunst, Udstillinger, Issue 6. | |
| MANSFIELD, Susan. A New Glasgow exhibition marks the return of one of Britain’s best painters, The Scotsman, Tuesday, December 12, p. 35. | |
| MANSFIELD, Susan. A New Glasgow exhibition marks the return of one of Britain’s best painters, The Scotsman, Tuesday, December 12, p. 35. | |
| MANSFIELD, Susan. I needed to bed myself down. It’s been a lonely little road, but I hope it’s been profitable, The Scotsman, Arts, December 12, pp. 34-35. | |
| MANSFIELD, Susan. Natures Playground: Girlpower & Boyhood, The Scotsman, Festival Section, August 22, pp. 10-11. | |
| MetroXpress, Denmark, Ordet, November 23 | |
| MYDTSKOV, Nanne. Pa Besog I Jeg-Huset, Fyens Stiftstidende, October 13. | |
| NORLYNG, Ole. Pubertet of Pangfarver, Weekendavisen, Kunst,November 3. | |
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RASMUSSEN, Lilibeth Cuenca. Hvad Kan Man Bruge Kunst Til?
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| 2005 | BLACK, Catriona, Lives in the Lines, Sunday Herald, January 14, p.25. |
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KUNITZ, Daniel, Publisher’s catalogue, ArtReview , Vol. LVIII, November, pp. 126-131. |
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| 2004 | Galleries – Chelsea, The New Yorker , January 19, p. 22. |
| AMY, Michaël. Reviews: Julie Roberts, Tema Celeste , March/April , p. 99. | |
| FRANKEL, David. Reviews: Julie Roberts, Artforum, March, p. 182. | |
| GOODBODY, Bridget. Art Reviews, Time Out New York , January 15-22, p. 57. | |
| 2003 | Art on the Brain, The Herald , October 30, p. 12. |
| Eerlijke kunst, tien jaar later, Flevoland , January 1 – February 28. | |
| Errant Knight of Abstraction, Cornish Guardian , February 6, 2003. | |
| It’s Unfair! In Museum De Paviljoens, ‘t Groene Weekblad , January 22 –March 20. | |
| Lines of Investigation, Inside Cornwall , April. | |
| Oriel Celebrates Re-Opening, County Times , March 24, 2003, p. 26. | |
| Previews: Painting Not Painting, Art Newspaper , February. | |
| Tate St. Ives Winter Exhibition, Times & Echo , February 14 | |
| Terry Frost: Painting Not Painting, Cornwall Review , April | |
| BLACK, Catriona, Pick of the Week: Our Critic’s Choice, Sunday Herald ,November 16, p. 2. | |
| BRADLEY, Will. Painting Not Painting, Tate St. Ives Catalogue, p.28–35. | |
| COOPER, Emmanuel. Responses to Social Pressure, Tribune , March 14 | |
| DANNATT, Adrian. Julie Roberts: Sean Kelly Gallery, The Art Newspaper , No. 142, December, p. 3. | |
| DEN HARTOG JAGER, Hans. Grootse reconstructie van een historische kunstbeurs, NRC Handelsblad | |
| E.B., Painting Not Painting: Tate St. Ives, The Art Newspaper, No. 133, February, p. 18. | |
| GALE, Iain. Art That Will Set You Free, April | |
| GASCOIGNE, Laura. Clash of Talent, The Spectator , February. | |
| GREGORY, Colin. Tate’s new show packs a punch, The West Briton, February 13, p. 20. | |
| JEFFREY, Moira. Living Life Outside the Bubble, The Herald , April 11 | |
| JEFFREY, Moira. So this is portraiture? Spotlight, The Herald , October 25, p. 3. | |
| JOHNSON, Ken. Art in Review, The New York Times , December 19, p. E39. | |
| JONES, Barry. Oriel Celebrates, County Times , March 7, 2003, p. 30. | |
| JONES, Barry. Oriel Portrait Painters, County Times , February 21, p. 33. | |
| MACADAM, Barbara A. A Case of Curiosities, ARTnews , September, p. 103. | |
| MACMILLAN, Duncan. The Return of Real Art, The Scotsman , April 15. | |
| MCLEAN, Jim. Modern Classics, GoMA making a mark in the art world, Glasgow Magazine, December, pp. 18-19. | |
| MENGHAN, Rod. The Touch of Frost, Tate International Arts and Culture ,March/April, p. 82–86. | |
| PRATTY, Jon. Painting Not Painting at Tate St. Ives, 24hourmuseum.org ,February 24. | |
| Price, Karen. Sisters’ pictures head home, The Western Mail , January 30 | |
| RUHRMUND, Frank. Homecoming for St. Ives Collection, Western Morning News , February 28 | |
| RUHRMUND, Frank. Wallpaper transforms gallery at the Tate…, The Cornishman , February 27. | |
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VAN DE VELDE, Paola. Souvenirs van de Unfair, De Telegraaf , January 7
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| 2002 | It’s Unfair, Flevo Post , November 20 |
| Kijkje achter schermen Museum De Paviljoens, ‘t Groene Weekblad ,November 16 | |
| Tentoonstelling it’s Unfair in De Paviljoens, ‘t Groene Weekblad ,November 16 | |
| OLLMAN, Leah. Scribes of Precision and Obsession, Los Angeles Times ,October 11, p. F29. | |
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VAN ERP, Barbara and BORG Lucette. De Kritische Keuze, Vrij Nederland ,January. |
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VAN SEUMEREN, Margriet. Museum De Paviljoens laat de Unfair herleven, De Gooien Eemlander , November 21
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| 2001 |
CUMMING, John. A menace in the sitting room, the Orkadian , July 5, p. 25 |
| 2000 | Blue: Borrowed and New, catalogue, The New Art Gallery, Walsall,England, p. 44, 45. |
| Complete, Art Review, The Leeds Guide , May 2000, p. 23. | |
| HARRIS, Jane. Review of Julie Roberts at Sean Kelly. Art in America, April, p. 151. | |
| VAUGHAN, Allen. Competely Reasonable, Visual Arts, The Big Issue in the North , May, p. 31. | |
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WILLIAMS, Elaine. Artists Earn Their Spurs, The Guardian , Section 2H February 22.
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| 1999 | LEVIN, Kim. Voice Choices The Village Voice , December 7, p. 105. |
| DIMAGGIO, Anthony. Julie Roberts: Heroes and Villains, November 15, p. 25. | |
| HARE, Bill. The Female Figure in Contemporary Scottish Painting, Contemporary Visual Arts Magazine, (issue 21) p. 36–43. | |
| KROKSNES, Andrea. NU: The Nordic Art Review . No. 3, 1999, p. 85. | |
| 1998 | Art: Das Kunstmagazin , September 1998, p. 75. |
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HANDLER, Ruth. Malerei Mit Neuen Chancen, Art , September, p. 60–61, 75. |
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| FLOR, Harald. Globale Glasgow, Dagbladet , February 7, p. 5. | |
| HENMO, Ingvill. Tematisk natursti, Morgenbladet , February 6. | |
| HIRSZMAN, Maria. A pintura e o desenho ganham destaque, Folha de São Paulo, Folha Ilustrada , November 4. | |
| LIND, Maria. "Country Cousins: The Relative Peripheries in Contact,"Trans/art. Cultures. Media. , Issue 5, 1998, p. 28–31, 35. | |
| LUNDE, Beatte Charlotte. Skotter med mye pa hjertet, Kultur , January 23,p. 30. | |
| The World of Interiors, April | |
| Wenchev, Ordnet galskap, Aftenpost , January 22, p. 24. | |
| 1997 | Ghost Stories, The New Yorker , June 9, pp. 67–68. |
| Gramercy International kicks off the Month, The Art Newspaper , May. | |
| To DAI For, Frank Magazine . October, p. 137. | |
| ALLERHOLM, Milou. Clean-cut Paranoia, Expressen , August 19. | |
| BEAUMONT, Sussana. Signs of the times, Art Review, The List , January 10-23, p. 67. | |
| BRANDTZAEG, Kari. Glasgow: A Presentation of the Art Scene in the 90’s,For Art, p. 22–27. | |
| BRANDTZAEG, Kari. Julie Roberts’ sekulariserte altertavler, UKS–Forum For Samtidskunst , No 3/4, p. 82–85. | |
| EICKHOFF, Von Beate. Die Kostbarkeit seltener Mobelstucke, Kulture, Kölner Stadt Anzeiger , May 28, p. 26. | |
| ERICSSON, Lars. Pure Hell, Dagens Nyheter , August 22. | |
| GALE, Ian. Going For Baroque, Scotland on Sunday , January | |
| H. H. S. Julie zeigt uns den Liebesstuhl des Königs, Express , April 28. | |
| HARRIS, Jane. Julie Roberts, Art Papers , September–October, 1997, p. 58. | |
| HENRY, Clare. Coloured by the killer instinct, The Herald , January. | |
| Kölner Stadt Anzeiger , May 28, p. 26. | |
| MOREAU, Patrick. Unusually Well-Cleaned, Hallandsporten , August 26 | |
| SCHWENDENER, Martha. Julie Roberts: ‘Crime of Passion,’ Time Out New York , June 26–July 3, p. 45. | |
| SMITH, Roberta. Realism With a Vengeance, The New York Times , Art Review, June 13, p. 18. | |
| SPORRE, Dennis J. The Creative Impulse, New Jersey: Prentice Hall, p.600. | |
| SUTHERLAND, Giles. Review: Shock Without Aggression, 1997. | |
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WALLENSTEIN, Sven-Olov. Purity with no Lecturing, Svenska Dagbladet , November 13
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| 1996 | ALLERHOLM, Milou. Kom, asvag, segrade, Kulturen, Expressen , March 18 |
| ANSON, Libby. The British Art Show 4, Contemporary Art , Spring 1996, pp. 82- 85. | |
| BEAUMONT, Susan. Review: Julie Roberts, The List , October, p. 47. | |
| BIRBAUM, Daniel. Sex Skottar I Uppland, Kultur Dagens Nyheter , March 29. | |
| COLLINS, Beatrice. Artist of the Floating World, The Scotsman , September | |
| CURTIS, Sarah. Home and Away, World Art, Issue 2, 1996, p. 40–45. | |
| GRAHN-HINNFORS, Gunilla. Vardagens riter och kroppens gata, Goteborgsposten , March 19. | |
| HEDEN, Anne. Makt och vald fran periferins Glasgow, Dagens Nyheter , March 8-14 | |
| HIXAN, Kathryn. #10, The New Art Examiner , Summer. | |
| HOLM, Eva-Lotta and WALLENSTEIN Sven-Olov. Gynekologiska instrument och väggmålningar, Material , No. 29 | |
| HOLM, Eva-Lotta. “Julie Roberts, Tracey Emin: On the Redemption and Exorcism of Painting", Material , No. 29, 1996. | |
| HUGHES, Sian. The British Art Show 4, Buzz Magazine , May, p. 14. | |
| KARSTRAM, Cristina. Skotska vantrum, Upsala Nya Tidning , March 16 | |
| MACMILLAN, Ian. The British Art Show, Modern Painters , Summer, pp. 94-95. | |
| MCLEAN, Pauline. Exhibits are sure to shock as visitors wonder, ‘What’s art got to do with it? Arts and Entertainment, The Western Mail ,May 18 | |
| RAWLINGS, Lisa. Figuring it out behind the scenes, The Sunday Times ,October | |
| SANDHU, David. What’s Up? i-D Magazine , Spring | |
| SMITH, W. Gordon. Show of hand and sheep, Visual Arts, Scotland on Sunday , February 25. | |
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WALLENSTEIN, Sven-Olov. Isolation and Precision from Glasgow, Svenska Dagbladet , March 23.
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| 1995 | HALL, James. Butterfly Ball, The Guardian , November 14. |
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HENRY, Clare. Routine Brush with Mortality, The Herald , December 23, p. 40. |
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| MACMILLAN, Duncan. Shock tactics, The Scotsman. | |
| SEARLE, Adrian. British Art with Attitude, Independent , Section Two, Tuesday, November 14. | |
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SINCLAIR, Ross. Julie Roberts, Life, the Universe and Science, Art Press ,February, p. 30–35. |
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| 1994 | The British Art Show 4 , Essays by FINN-KELCEY, Rose; LAWSON, Thomas & CORK, Richard. |
| Wall to wall insults, The Southern Daily Echo , Southampton, April 27. | |
| ALLERHOLM, Milou. Krigsleksaker, Kulturen , June 2, p. 3. | |
| CHOON, Angela. Rebels of the Realm, Art and Antiques , April, p. 56–63. | |
| ERICSSON, Lars. Brittisk Skulptur Som Ger Mersmak, Dagens Nyheter, May 27, p. 9. | |
| HALL, James. Extra mural activity, The Guardian , May 9. | |
| KASTNER, Jeffrey. Up Against It, Art Monthly , July–August, p. 7–11. | |
| KENNETH, Gysing. FEM UNGA BRITTER, Elle, June. | |
| KRAMIS, Eva. Machtstrukturen und Tabus brutal aufgedeckt, Luzerner Neuste Nachrichten , March 5. | |
| LIND, Maria. Riviera–Seven Artists from Scotland, Portfolio , Issue 20. | |
| MH. Jockey-di a jockey-da, Ultra Magazine , March, p. 5. | |
| NILSSON, John Peter. SEX VALD KNARK MAKT SPRAK SMUTS LYX KON (det galler oss alla), Aftonbladet , May 31. | |
| SPARKES, Alison. Straight off the wall art, The Daily Echo , April 20, p. 3. | |
| VOGEL, Von Maria. “Verdrangung und Match,” Luzerner Zeitung , March 3 | |
| WHITFIELD, Karen. ’Girlie’ art scores on yuk factor, The Daily Echo , April 22. | |
| 1993 | Evans, Gavin. Julie Roberts, Sunday Times Magazine , June 6, p.10. |
| GOLDING, Paul. Julie Roberts, Sunday Times Magazine. Exposure, p.10, 6 June. | |
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HALL, James. Animal Hase The Guardian. June, p. 4, 5. |
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| HENRY, Clare. Two carry Scots banner to Venice, The Glasgow Herald ,April. | |
| LILLINGTON, David. Julie Roberts at Interim Art, Time Out London ,June 23–30. | |
| MEYERS, Terry. Painting Invitational, Flash Art . Spotlight, October, p. 120. | |
| 1992 | HENRY, Clare. Critic opts for the young and old, The Herald , September 21, p. 16. |
| HENRY, Clare. Stone carving is…, The Herald , July 10, 1992. | |
| HUBBARD, Sue. Claire Henry: A Critic’s Choice–Cooling Gallery. | |
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SINCLAIR, Ross. Julie Roberts at CGA, Glasgow, Frieze , Issue 6.
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| 1991 | HALL, James. Scots on the rocks, The Independent , August 20, p.16. |
| MACARTHUR, Euan. Windfall, Variant . Issue 9, p. 36. | |
| SLOTOVER, Matthew. Northern Lights, Windfall 91, Frieze . Issue 1. | |
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WHITE, Nicola. Doing it For Themselves– Windfall, Alba
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| 1990 | HENRY, Clare. Sabotage claim as Women’s Festival is sidelined, Glasgow |
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Herald , September 7, p. 14. |
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| 1989 | FLOWER, Clare. Galleries: Smith Biennial Exhibition, Smith Art Gallery and Museum, Stirling, Scotland on Sunday , October 15. |
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SMITH, Gordon, The smell of sculpture, Observer Scotland , 15 October.
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